{"id":"2a48290c-3d6a-4e2c-a59e-0df6c9aeccf4","revision":0,"last_node_id":179,"last_link_id":332,"nodes":[{"id":116,"type":"MarkdownNote","pos":[-2916.198411055154,4517.22214860071],"size":[225,1470.6875],"flags":{"collapsed":false},"order":0,"mode":0,"inputs":[],"outputs":[],"title":"Note: MiniMax H3","properties":{"ue_properties":{"widget_ue_connectable":{},"version":"7.8","input_ue_unconnectable":{}}},"widgets_values":["## MiniMax H3\n\n[MiniMax H3](https://www.minimax.io/blog/minimax-h3) is MiniMax's general-purpose, omni-modal generation model. It jointly understands text, image, video, and audio, and generates video with **native stereo audio**: voice, sound effects, and music are modeled jointly in a single forward pass, not layered on afterward. Output is up to 2K resolution, 24fps, and up to about 15 seconds.\n\n## ComfyUI links\n- [ComfyUI#15224](https://github.com/Comfy-Org/ComfyUI/pull/15224)\n- [🤗 Comfy-Org/MiniMax-H3](https://huggingface.co/Comfy-Org/MiniMax-H3)\n\n## About this workflow\n\nThis template runs the **reference-to-video (ref2va)** task using the `MiniMaxH3ReferenceToVideo` node. It takes any mix of reference images, videos, and standalone audio, and weaves them into the generation to lock in a character's identity, a style, a motion, a camera move, or a voice.\n\n**Key inputs**\n\n- **ref_images / ref_videos / ref_video_audios / ref_audios**: up to 9 reference images, 3 reference videos (each may carry its own paired soundtrack), and 3 standalone reference audio clips\n- **prompt**: reference the inputs by tag, in the exact order they were connected, for example `<Picture 1>`, `<Video 1>`, `<Audio 1>`, then describe the target scene, motion, and audio\n- **ref_image_size**: `match` scales references down to the generation's resolution (faster); `max` keeps up to a 2048px short edge for stronger identity fidelity, at the cost of speed since reference tokens ride along every sampling step\n- **width / height**: set via Resolution Selector.\n- **duration (seconds)**: converted to a valid frame `length` by the Math Expression node\n\n**Sampling and decode**\n\n- Sampler: `res_multistep`. `beta` or `normal` scheduler tends to outperform `simple` for reference-heavy prompts like this one\n- The sampler's joint audio+video `LATENT` output feeds directly into both `VAEDecode` (video, `minimax_h3_video_vae_fp16`) and `VAEDecodeAudio` (audio, `minimax_h3_audio_vae_fp32`); each decode node automatically pulls its own half out of the packed latent. `CreateVideo` then muxes the two into a single MP4 with synced sound\n- The diffusion model here is `minimax_h3_ref2va_pruned_int8_convrot.safetensors`, a different set of weights from the `fl2va` model used by the t2v/i2v templates\n\nRef2va's output is very sensitive to prompt wording; matching the reference tags precisely and being explicit about which reference drives which part of the shot tends to work best."],"widgets_values_named":{"text":"## MiniMax H3\n\n[MiniMax H3](https://www.minimax.io/blog/minimax-h3) is MiniMax's general-purpose, omni-modal generation model. It jointly understands text, image, video, and audio, and generates video with **native stereo audio**: voice, sound effects, and music are modeled jointly in a single forward pass, not layered on afterward. Output is up to 2K resolution, 24fps, and up to about 15 seconds.\n\n## ComfyUI links\n- [ComfyUI#15224](https://github.com/Comfy-Org/ComfyUI/pull/15224)\n- [🤗 Comfy-Org/MiniMax-H3](https://huggingface.co/Comfy-Org/MiniMax-H3)\n\n## About this workflow\n\nThis template runs the **reference-to-video (ref2va)** task using the `MiniMaxH3ReferenceToVideo` node. It takes any mix of reference images, videos, and standalone audio, and weaves them into the generation to lock in a character's identity, a style, a motion, a camera move, or a voice.\n\n**Key inputs**\n\n- **ref_images / ref_videos / ref_video_audios / ref_audios**: up to 9 reference images, 3 reference videos (each may carry its own paired soundtrack), and 3 standalone reference audio clips\n- **prompt**: reference the inputs by tag, in the exact order they were connected, for example `<Picture 1>`, `<Video 1>`, `<Audio 1>`, then describe the target scene, motion, and audio\n- **ref_image_size**: `match` scales references down to the generation's resolution (faster); `max` keeps up to a 2048px short edge for stronger identity fidelity, at the cost of speed since reference tokens ride along every sampling step\n- **width / height**: set via Resolution Selector.\n- **duration (seconds)**: converted to a valid frame `length` by the Math Expression node\n\n**Sampling and decode**\n\n- Sampler: `res_multistep`. `beta` or `normal` scheduler tends to outperform `simple` for reference-heavy prompts like this one\n- The sampler's joint audio+video `LATENT` output feeds directly into both `VAEDecode` (video, `minimax_h3_video_vae_fp16`) and `VAEDecodeAudio` (audio, `minimax_h3_audio_vae_fp32`); each decode node automatically pulls its own half out of the packed latent. `CreateVideo` then muxes the two into a single MP4 with synced sound\n- The diffusion model here is `minimax_h3_ref2va_pruned_int8_convrot.safetensors`, a different set of weights from the `fl2va` model used by the t2v/i2v templates\n\nRef2va's output is very sensitive to prompt wording; matching the reference tags precisely and being explicit about which reference drives which part of the shot tends to work best."},"color":"#222","bgcolor":"#000"},{"id":117,"type":"MarkdownNote","pos":[-3495.3972143550654,4517.22214860071],"size":[537.203125,660.6875],"flags":{"collapsed":false},"order":1,"mode":4,"inputs":[],"outputs":[],"title":"Note: Model Links","properties":{"ue_properties":{"widget_ue_connectable":{},"version":"7.8","input_ue_unconnectable":{}}},"widgets_values":["## Model Links\n[🤗 Comfy-Org/MiniMax-H3](https://huggingface.co/Comfy-Org/MiniMax-H3)\n\n**vae**\n\n- [minimax_h3_video_vae_fp16.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/vae/minimax_h3_video_vae_fp16.safetensors)\n- [minimax_h3_audio_vae_fp32.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/vae/minimax_h3_audio_vae_fp32.safetensors)\n\n**diffusion_models**\n\n- [minimax_h3_ref2va_pruned_int8_convrot.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/diffusion_models/minimax_h3_ref2va_pruned_int8_convrot.safetensors)\n\n**text_encoders**\n\n- [qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/text_encoders/qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors)\n\n\n## Model Storage Location\n\n```\n📂 ComfyUI/\n├── 📂 models/\n│   ├── 📂 vae/\n│   │   ├── minimax_h3_video_vae_fp16.safetensors\n│   │   └── minimax_h3_audio_vae_fp32.safetensors\n│   ├── 📂 diffusion_models/\n│   │   └── minimax_h3_ref2va_pruned_int8_convrot.safetensors\n│   └── 📂 text_encoders/\n│       └── qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors\n```\n\n## Report Issue\n\nNote: Please update ComfyUI first ([guide](https://docs.comfy.org/installation/update_comfyui)) and prepare required models. Desktop/Cloud updates follow stable releases, so some nightly-supported models may not be available yet.\n\n- Cannot run / runtime errors: [ComfyUI/issues](https://github.com/comfyanonymous/ComfyUI/issues)\n- UI / frontend issues: [ComfyUI_frontend/issues](https://github.com/Comfy-Org/ComfyUI_frontend/issues)\n- Workflow issues: [workflow_templates/issues](https://github.com/Comfy-Org/workflow_templates/issues)\n"],"widgets_values_named":{"text":"## Model Links\n[🤗 Comfy-Org/MiniMax-H3](https://huggingface.co/Comfy-Org/MiniMax-H3)\n\n**vae**\n\n- [minimax_h3_video_vae_fp16.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/vae/minimax_h3_video_vae_fp16.safetensors)\n- [minimax_h3_audio_vae_fp32.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/vae/minimax_h3_audio_vae_fp32.safetensors)\n\n**diffusion_models**\n\n- [minimax_h3_ref2va_pruned_int8_convrot.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/diffusion_models/minimax_h3_ref2va_pruned_int8_convrot.safetensors)\n\n**text_encoders**\n\n- [qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/text_encoders/qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors)\n\n\n## Model Storage Location\n\n```\n📂 ComfyUI/\n├── 📂 models/\n│   ├── 📂 vae/\n│   │   ├── minimax_h3_video_vae_fp16.safetensors\n│   │   └── minimax_h3_audio_vae_fp32.safetensors\n│   ├── 📂 diffusion_models/\n│   │   └── minimax_h3_ref2va_pruned_int8_convrot.safetensors\n│   └── 📂 text_encoders/\n│       └── qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors\n```\n\n## Report Issue\n\nNote: Please update ComfyUI first ([guide](https://docs.comfy.org/installation/update_comfyui)) and prepare required models. Desktop/Cloud updates follow stable releases, so some nightly-supported models may not be available yet.\n\n- Cannot run / runtime errors: [ComfyUI/issues](https://github.com/comfyanonymous/ComfyUI/issues)\n- UI / frontend issues: [ComfyUI_frontend/issues](https://github.com/Comfy-Org/ComfyUI_frontend/issues)\n- Workflow issues: [workflow_templates/issues](https://github.com/Comfy-Org/workflow_templates/issues)\n"},"color":"#222","bgcolor":"#000"},{"id":125,"type":"SamplerCustomAdvanced","pos":[234.019309076325,4645.217170551199],"size":[225,362],"flags":{},"order":18,"mode":0,"inputs":[{"localized_name":"gürültü","name":"noise","type":"NOISE","link":253},{"localized_name":"rehber","name":"guider","type":"GUIDER","link":254},{"localized_name":"örnekleyici","name":"sampler","type":"SAMPLER","link":255},{"localized_name":"sigmalar","name":"sigmas","type":"SIGMAS","link":256},{"localized_name":"gizli_görüntü","name":"latent_image","type":"LATENT","link":326}],"outputs":[{"localized_name":"çıktı","name":"output","type":"LATENT","links":[280,281]},{"localized_name":"gürültüsüz_çıktı","name":"denoised_output","type":"LATENT","links":[]}],"properties":{"Node name for 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This is Zekiye. Preserve her exact face, hairstyle, body proportions, clothing and identity.\n@image3 = SELVİ. This is Selvi. SELVİ HAS BLONDE HAIR. Preserve her exact face, blonde hair, body proportions, clothing and identity.\n@image4 = EXACT HOME REFERENCE. The scene takes place inside the exact house shown in @image4. Preserve the house architecture, furniture, layout, colors and visual identity exactly.\n\nABSOLUTE CHARACTER IDENTITY AND VOICE LOCK:\n@image2 = ZEKİYE = S1 = Zekiye's voice ONLY.\n@image3 = SELVİ = S2 = Selvi's voice ONLY.\nTHE BLONDE-HAIRED WOMAN IS SELVİ.\nS1 must NEVER speak Selvi's dialogue.\nS2 must NEVER speak Zekiye's dialogue.\nNever swap the characters, voices or dialogue.\n\nSCENE CONTINUITY:\nMorning immediately after Episode 18. Zekiye and Selvi are back at home. Their appearance and clothing remain consistent with the previous episode.\n\nACTION:\nInside the exact home from @image4, Zekiye is preparing breakfast.\nSelvi, the blonde-haired woman, is sitting nearby and repeatedly checking her smartphone.\nShe is trying to hide what she is looking at.\nZekiye notices Selvi's strange behavior and looks at her curiously.\n\nDIALOGUE:\n\nS1 — ZEKİYE, looking at blonde-haired Selvi with playful curiosity:\n\"Kız Selvi, sen telefona âşık mı oldun? Ne bakıp duruyon?\"\n\nS2 — SELVİ, the blonde-haired woman, quickly locking her phone and pretending nothing happened:\n\"Ya yok bi şey, ne olacak?\"\n\nZekiye gives Selvi a suspicious but playful look.\n\nCAMERA:\nStart with a natural medium-wide shot showing Zekiye and blonde-haired Selvi together inside the exact house from @image4.\nSlowly push toward the two women.\nFocus on Selvi when she secretly checks her phone.\nCut to Zekiye noticing her.\nEnd with Selvi quickly locking the phone and hiding the screen.\n\nPERFORMANCE:\nYoung, natural Turkish friend-to-friend conversation.\nVery casual everyday speech.\nPlayful teasing between close friends.\nNatural facial expressions and spontaneous body language.\nNo formal or theatrical dialogue delivery.\n\nLIGHTING:\nSoft natural morning daylight from the existing house environment.\nRealistic shadows, natural skin tones and cinematic depth.\n\nVISUAL STYLE:\nUltra-realistic cinematic Turkish series, photorealistic faces, realistic blonde hair on Selvi, natural skin texture, realistic smartphone, detailed home interior, professional cinematography, subtle depth of field, 4K cinematic detail.\n\nENDING:\nSelvi hides the phone slightly.\nZekiye looks at her as if she knows Selvi is hiding something.\nSelvi avoids eye contact.\n","slots":{"first":{},"last":{},"images":[{"file":"cglide/göbekli-tepe.jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"enmgs9d","name":"","off":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","pace":2.5,"prompt":"15-second ultra-realistic cinematic comedy-drama scene, direct continuation of Scene 1.\n\nREFERENCE LOCK:\n@image2 = ZEKİYE. Preserve her exact face, hairstyle, body proportions, clothing and identity.\n@image3 = SELVİ. SELVİ HAS BLONDE HAIR. Preserve her exact face, blonde hair, body proportions, clothing and identity.\n@image4 = EXACT HOME REFERENCE. The scene takes place inside the exact house shown in @image4. Preserve the house architecture, furniture, layout, colors and visual identity exactly.\n\nABSOLUTE CHARACTER IDENTITY AND VOICE LOCK:\n@image2 = ZEKİYE = S1 = Zekiye's voice ONLY.\n@image3 = SELVİ = S2 = Selvi's voice ONLY.\nTHE BLONDE-HAIRED WOMAN IS SELVİ.\nS1 must NEVER speak Selvi's dialogue.\nS2 must NEVER speak Zekiye's dialogue.\nNever swap the characters, voices or dialogue.\n\nCONTINUITY:\nContinue immediately from Scene 1. Selvi has just hidden her phone after Zekiye noticed her behavior. Both women remain in the same positions, same clothes and same morning environment.\n\nACTION:\nZekiye keeps preparing breakfast but keeps glancing at Selvi.\nSelvi picks up her phone again and tries to casually put it into her pocket.\nZekiye suddenly turns toward her.\nSelvi freezes for a moment.\n\nDIALOGUE:\n\nS1 — ZEKİYE, teasing and suspicious:\n\"Bak şimdi iyice kıllandım ha. Göster şu telefonu.\"\n\nS2 — SELVİ, the blonde-haired woman, immediately pulling the phone away with a playful smile:\n\"Yok artık kız! Bi Yürü git\"\n\nZekiye laughs and shakes her head.\n\nS1 — ZEKİYE:\n\"Tamam tamam, kesin bir şey var.\"\n\nCAMERA:\nNatural medium shot of both women.\nSlow handheld-style cinematic movement, feeling like a modern Turkish comedy series.\nMove slightly closer when Zekiye asks to see the phone.\nCut to Selvi quickly pulling the phone away.\nFinish on Selvi giving Zekiye a playful but slightly nervous smile.\n\nPERFORMANCE:\nVery young, casual Turkish friend-to-friend conversation.\nNatural slang and everyday speech.\nPlayful teasing, light humor and believable reactions.\nThe scene should feel spontaneous, like two close friends joking at home.\nNo formal dialogue, no exaggerated acting.\n\nLIGHTING:\nSoft natural morning daylight matching @image4.\nRealistic indoor shadows and natural skin tones.\n\nVISUAL STYLE:\nUltra-realistic cinematic Turkish series, photorealistic faces, realistic blonde hair on Selvi, natural facial expressions, realistic smartphone, detailed home interior, professional cinematography, subtle depth of field, 4K cinematic detail.\n\nENDING:\nZekiye turns back toward breakfast, still suspicious.\nSelvi secretly looks down at her phone again for a split second.\nHer playful smile disappears briefly, revealing that she is genuinely hiding something.\n","slots":{"first":{},"last":{},"images":[{"file":"cglide/göbekli-tepe.jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"qcq50pa","name":"","off":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","pace":2.5,"prompt":"subject_definitions:\n\n@image2 is Subject 1, Zekiye. Preserve her exact facial identity, hairstyle, body proportions, clothing and overall appearance.\n@image3 is Subject 2, Selvi. SELVİ IS THE BLONDE-HAIRED WOMAN. Preserve her exact facial identity, blonde hair, body proportions, clothing and overall appearance.\n@image4 is Subject 3, the exact home environment. Preserve the architecture, furniture, room layout, colors, windows, doors, decorations and spatial arrangement exactly as shown.\n\nThe older woman visible inside Selvi's smartphone is an aged future version of Subject 2, Selvi. Preserve Selvi's recognizable facial identity while naturally aging her face and hair. She must clearly be the same person many years older.\n\nS1 = Zekiye's voice only.\nS2 = Selvi's voice only.\nS1 must never speak Selvi's dialogue.\nS2 must never speak Zekiye's dialogue.\n\n\nsummary:\n\nSelvi secretly checks her smartphone while Zekiye is preparing breakfast. Selvi discovers a mysterious photograph showing an older future version of herself. She becomes genuinely shocked and hides the phone before Zekiye notices.\n\n\nretention_analysis:\n\nSubject 1 (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - preserve Zekiye's facial identity, hairstyle, body proportions, clothing and natural appearance.\n\nSubject 2 (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - preserve Selvi's facial identity, blonde hair, body proportions, clothing and natural appearance.\n\nSubject 3 (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - preserve the exact home environment, architecture, furniture, spatial layout and visual appearance from @image4.\n\nOlder Selvi (appears inside the smartphone in [Shot 2]): attribute_transfer from Subject 2 - preserve Selvi's recognizable facial identity and facial structure while naturally aging her into an older version with realistic aged facial features and white hair.\n\n\ndetailed_description:\n\nA photorealistic contemporary Turkish comedy-drama scene inside the exact home environment shown in @image4. Soft natural morning daylight fills the room. This scene continues directly from the previous scene. Zekiye has turned back toward breakfast while Selvi, the blonde-haired woman, is secretly holding her smartphone.\n\n[Shot 1] At 00:00.000, medium two-shot of Zekiye and the blonde-haired Selvi in the same kitchen positions established in the previous scene. Zekiye casually continues preparing breakfast and is not looking at Selvi. Selvi waits until Zekiye looks away, then quietly picks up her smartphone and unlocks it. Selvi moves naturally and subtly, clearly trying not to attract Zekiye's attention. The camera performs a slow push-in toward Selvi with small amplitude at slow speed. Zekiye remains unaware of what Selvi is doing.\n\n[Shot 2] At 00:04.600, cut to an over-the-shoulder close-up from behind the blonde-haired Selvi, looking down toward the smartphone in her hands. The smartphone screen clearly displays a realistic photograph of an older version of Selvi. The older Selvi has naturally white hair, realistic aged facial features and the same recognizable facial identity as the young blonde-haired Selvi. She is looking directly into the camera with a serious and calm expression. The photograph looks like a real photograph taken many years in the future. No other person appears in the photograph. Selvi stares at the screen in disbelief.\n\nS2, Selvi, quietly whispers:\n<d>[Turkish] Yok artık...</d>\n\n[Shot 3] At 00:10.200, cut to a tight close-up of the blonde-haired Selvi's face. Her playful expression disappears and she becomes genuinely shocked. She quickly locks the smartphone and pulls it close against her body. She briefly looks toward Zekiye to make sure Zekiye did not notice anything. Zekiye remains in the background preparing breakfast, completely unaware of the photograph. The camera performs a very subtle push-in with low amplitude at slow speed. Selvi remains silent after her whispered line.\n\nThe final frame holds on Selvi's nervous expression while Zekiye remains unaware in the background.\n\n\noverall_soundscape:\n\nQuiet realistic Turkish home ambience in the morning. Natural room tone, subtle kitchen sounds, quiet dishes and breakfast preparation, faint neighborhood ambience coming through the windows. A realistic smartphone unlock sound occurs when Selvi opens the phone. A subtle phone lock click occurs when she quickly hides the screen. Selvi's whispered dialogue is clear and naturally synchronized with her lips. Zekiye does not speak during this scene.\n\n\nnon_diegetic_music:\n\nA very subtle cinematic mystery underscore begins when the photograph of the older Selvi appears on the smartphone. Minimal and restrained, creating curiosity rather than horror. The music remains underneath the natural home ambience and becomes slightly more tense during Selvi's final close-up.","slots":{"first":{},"last":{},"images":[{"file":"cglide/göbekli-tepe.jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"2mzjc1v","name":"","off":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","pace":2.5,"prompt":"subject_definitions:\n\n@image2 is Subject 1, Zekiye. Zekiye is the woman shown in @image2. Preserve her exact facial identity, hairstyle, body proportions, clothing and overall appearance.\n\n@image3 is Subject 2, Selvi. Selvi is the BLONDE-HAIRED woman shown in @image3. Preserve her exact facial identity, blonde hair, body proportions, clothing and overall appearance.\n\n@image4 is Subject 3, the exact home environment. Preserve the architecture, furniture, room layout, colors, windows, doors, decorations and spatial arrangement exactly as shown in @image4.\n\n@image5 is Subject 4, OLDER SELVİ. Subject 4 is the older/future version of Subject 2, Selvi. Preserve the exact facial identity, naturally aged facial features, white/gray hair, body proportions, clothing and overall appearance shown in @image5. Older Selvi must clearly be recognizable as the same person as young Selvi.\n\nS1 = Zekiye's voice ONLY.\nS2 = Selvi's voice ONLY.\n\nZekiye (@image2) must ONLY speak S1 dialogue.\nYoung Selvi (@image3), the blonde-haired woman, must ONLY speak S2 dialogue.\nOlder Selvi (@image5) is a visual reference only in this scene and does not speak.\n\nNEVER swap Zekiye and Selvi.\nNEVER assign Zekiye's dialogue to Selvi.\nNEVER assign Selvi's dialogue to Zekiye.\n\n\nsummary:\n\nImmediately continuing from the previous scene, Zekiye notices that Selvi has suddenly become unusually quiet after secretly looking at her smartphone. Selvi tries to act normal and hides the fact that she has seen a mysterious photograph of her older self.\n\n\nretention_analysis:\n\nSubject 1, Zekiye (@image2), appears in [Shot 1], [Shot 2], [Shot 3]: fully_preserved - preserve her exact facial identity, hairstyle, body proportions, clothing and overall appearance.\n\nSubject 2, young Selvi (@image3), appears in [Shot 1], [Shot 2], [Shot 3]: fully_preserved - preserve her exact facial identity, blonde hair, body proportions, clothing and overall appearance.\n\nSubject 3, home environment (@image4), appears in [Shot 1], [Shot 2], [Shot 3]: fully_preserved - preserve the exact architecture, furniture, spatial layout, colors and visual appearance.\n\nSubject 4, older Selvi (@image5), is established as the future/older version of Subject 2. fully_preserved - whenever older Selvi is shown, preserve the exact aged facial identity, gray/white hair, body proportions, clothing and appearance from @image5.\n\nS1 voice reference: fully_copy - use only for Zekiye.\nS2 voice reference: fully_copy - use only for young blonde-haired Selvi.\n\n\ndetailed_description:\n\nContinue directly from the final moment of the previous scene. Zekiye has turned back toward breakfast. Young Selvi, the blonde-haired woman, has just hidden her smartphone after seeing the mysterious photograph of older Selvi. Zekiye has not seen the phone screen.\n\n[Shot 1] At 00:00.000, medium two-shot inside the exact home environment from @image4. Zekiye (@image2, S1), the Zekiye character, continues casually preparing breakfast. Young Selvi (@image3, S2), clearly the blonde-haired woman, sits nearby and stays unusually quiet. Selvi keeps her smartphone hidden close to herself. Zekiye notices that Selvi has suddenly become quiet and looks at her with playful curiosity. The camera remains at eye level with a subtle natural handheld movement.\n\nS1 — ZEKİYE (@image2), the Zekiye character, speaks ONLY this line:\n<d>[Turkish] Kız sen niye sustun birden?</d>\n\n\n[Shot 2] At 00:05.000, cut to a medium close-up of young Selvi (@image3, S2), clearly the blonde-haired woman. Selvi looks toward Zekiye and gives a small forced smile. She keeps her smartphone hidden and tries to look relaxed. The camera makes a slow push-in with small amplitude at slow speed.\n\nS2 — SELVİ (@image3), the blonde-haired woman, speaks ONLY this line:\n<d>[Turkish] Ne sustum ya, acıktım sadece.</d>\n\nZekiye watches Selvi for a brief moment with a playful but unconvinced expression.\n\n\n[Shot 3] At 00:10.200, cut to a medium two-shot showing both Zekiye and young blonde-haired Selvi inside the same home. Zekiye turns back toward the breakfast. Selvi begins eating casually, pretending that nothing happened. She keeps the smartphone close to herself. Zekiye briefly glances at her again.\n\nS2 — SELVİ (@image3), the blonde-haired woman, speaks ONLY this line while beginning to eat:\n<d>[Turkish] Tamam, ben yedim.</d>\n\nZekiye does not speak during this shot. She simply gives Selvi a short suspicious look and continues preparing breakfast.\n\nThe final frame holds on Selvi's face. She appears normal for a moment, but once Zekiye looks away, her expression subtly becomes serious again.\n\n\noverall_soundscape:\n\nNatural quiet morning ambience inside the Turkish home. Soft kitchen sounds, plates and cutlery moving, subtle breakfast preparation, quiet footsteps and faint neighborhood ambience outside. Selvi's smartphone remains silent. Dialogue is clear, natural and correctly synchronized to the designated character.\n\nZekiye's dialogue comes ONLY from S1.\nYoung blonde-haired Selvi's dialogue comes ONLY from S2.\nOlder Selvi does not speak.\n\n\nnon_diegetic_music:\n\nVery subtle cinematic mystery underscore. The music remains quiet and mostly hidden beneath the natural home ambience. It slightly increases tension when Selvi looks at the hidden smartphone, but the scene remains casual, youthful and natural rather than frightening.","slots":{"first":{},"last":{},"images":[{"file":"cglide/göbekli-tepe.jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"av0iolg","name":"","off":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","pace":2.5,"prompt":"subject_definitions:\n\n@image2 is Subject 1, Zekiye. Zekiye is the dark-haired woman shown in @image2. Preserve her exact facial identity, hairstyle, body proportions, clothing and overall appearance.\n\n@image3 is Subject 2, Selvi. Selvi is the BLONDE-HAIRED woman shown in @image3. Preserve her exact facial identity, blonde hair, body proportions, clothing and overall appearance.\n\n@image4 is Subject 3, the exact home environment. Preserve the exact architecture, furniture, sofa, room layout, colors, windows, doors, decorations and spatial arrangement shown in @image4.\n\n@image5 is Subject 4, older Selvi. Subject 4 is the older/future version of Subject 2. Preserve her exact facial identity, aged appearance, gray-white hair, body proportions and clothing whenever she appears. Older Selvi does not appear in this scene.\n\nS1 = Zekiye's voice ONLY.\nS2 = Selvi's voice ONLY.\n\nZekiye (@image2) speaks ONLY S1 dialogue.\nSelvi (@image3), the blonde-haired woman, speaks ONLY S2 dialogue.\nS1 must never speak Selvi's dialogue.\nS2 must never speak Zekiye's dialogue.\nNever swap the characters or voices.\n\n\nsummary:\n\n[reference generation + audio reference] A playful bedroom-to-living-room style comedy chase inside the exact home from @image4. Selvi is lying face down across the sofa while secretly holding her smartphone. Zekiye sneaks up and grabs the phone from her hand, then runs away laughing. Selvi immediately chases Zekiye and throws sofa cushions at her. The scene ends with both women running through the house in a playful chaotic chase.\n\n\nretention_analysis:\n\nSubject 1, Zekiye (@image2), appears in [Shot 1], [Shot 2], [Shot 3], [Shot 4]: fully_preserved - preserve Zekiye's exact facial identity, hairstyle, body proportions, clothing and appearance.\n\nSubject 2, Selvi (@image3), appears in [Shot 1], [Shot 2], [Shot 3], [Shot 4]: fully_preserved - preserve Selvi's exact facial identity, blonde hair, body proportions, clothing and appearance.\n\nSubject 3, home environment (@image4), appears in [Shot 1], [Shot 2], [Shot 3], [Shot 4]: fully_preserved - preserve the exact sofa, furniture, architecture, room layout and visual appearance.\n\nSubject 4, older Selvi (@image5): not visible in this scene.\n\n\ndetailed_description:\n\nContinue immediately from the previous scene. Selvi, the blonde-haired woman, has just finished hiding her smartphone after seeing the mysterious photograph. Zekiye has become suspicious and decides to steal the phone playfully.\n\n[Shot 1] At 00:00.000, wide shot inside the exact living room from @image4. Selvi (@image3, S2), the blonde-haired woman, is lying face down across the sofa, relaxed and absorbed in her smartphone. Her legs are casually stretched behind her on the sofa. Zekiye (@image2, S1) quietly approaches from behind the sofa, trying not to be noticed. Zekiye notices that Selvi is completely distracted by the phone. The camera slowly tracks sideways with small amplitude at medium-slow speed, keeping both women visible in the same frame.\n\n[Shot 2] At 00:03.200, cut to a medium two-shot from the side of the sofa. Zekiye suddenly reaches over and quickly grabs the smartphone directly from Selvi's hand. Selvi immediately lifts her head in surprise and reaches toward Zekiye. Zekiye turns away with a mischievous smile and starts running.\n\nS2 — SELVİ (@image3), the blonde-haired woman, reacts loudly:\n<d>[Turkish] Aaa! Telefonumu ver!</d>\n\nZekiye laughs and runs away without answering.\n\n[Shot 3] At 00:06.800, cut to a handheld medium-wide tracking shot following Zekiye as she runs through the living room holding Selvi's phone. Selvi (@image3, S2), the blonde-haired woman, jumps up from the sofa and immediately chases her. Selvi grabs a sofa cushion while running and throws it toward Zekiye. The cushion flies past Zekiye without hitting her. Zekiye keeps running and laughing.\n\nS1 — ZEKİYE (@image2), the dark-haired woman, laughing while running:\n<d>[Turkish] Yakala da al!</d>\n\nS2 — SELVİ (@image3), the blonde-haired woman, chasing her:\n<d>[Turkish] Dur lan! Ver şunu!</d>\n\n[Shot 4] At 00:10.900, cut to a wider handheld tracking shot showing both women running deeper into the house. Zekiye looks back while running and raises the stolen phone playfully above her shoulder. Selvi throws another cushion toward her. The cushion passes close to Zekiye as both women continue running. Zekiye laughs loudly and speeds up. Selvi follows closely behind, laughing and shouting.\n\nS2 — SELVİ (@image3), the blonde-haired woman, shouting playfully:\n<d>[Turkish] Zekiye! Gel buraya!</d>\n\nS1 — ZEKİYE (@image2), laughing:\n<d>[Turkish] Hihihi! Admin bende!</d>\n\nThe camera continues tracking backward as both women run away from the camera. End with Zekiye escaping around the corner while Selvi runs after her.\n\nFINAL FRAME: The chase continues out of the room, leaving the living room briefly empty with a cushion lying on the floor. The scene ends on this playful chaotic moment.\n\n\noverall_soundscape:\n\nEnergetic natural home comedy ambience. Sofa fabric movement, quick footsteps on the floor, smartphone handling sounds, cushions hitting furniture and the floor, light laughter and excited shouting. Selvi's voice is always S2. Zekiye's voice is always S1. Their voices remain clearly distinct and synchronized with the correct characters.\n\n\nnon_diegetic_music:\n\nLight, playful cinematic comedy music begins subtly when Zekiye steals the phone. The rhythm becomes slightly faster during the chase and cushion throwing. Keep the music fun and energetic rather than dramatic or suspenseful. End the music with the final chase movement.","slots":{"first":{},"last":{},"images":[{"file":"cglide/göbekli-tepe.jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"d963ef5","name":"","off":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","pace":2.5,"prompt":"subject_definitions:\n\n@image2 is Subject 1, Zekiye. Zekiye is the dark-haired woman shown in @image2. Preserve her exact facial identity, hairstyle, body proportions, clothing and overall appearance.\n\n@image3 is Subject 2, Selvi. Selvi is the BLONDE-HAIRED woman shown in @image3. Preserve her exact facial identity, blonde hair, body proportions, clothing and overall appearance.\n\n@image4 is Subject 3, the exact home environment. Preserve the exact architecture, furniture, sofa, room layout, colors, windows, doors, decorations and spatial arrangement shown in @image4.\n\n@image5 is Subject 4, older Selvi. Subject 4 is the older/future version of Subject 2. Preserve her exact facial identity, aged appearance, gray-white hair, body proportions and clothing whenever she appears. Older Selvi does not appear in this scene.\n\nS1 = Zekiye's voice ONLY.\nS2 = Selvi's voice ONLY.\n\nZekiye (@image2) speaks ONLY S1 dialogue.\nSelvi (@image3), the blonde-haired woman, speaks ONLY S2 dialogue.\nS1 must never speak Selvi's dialogue.\nS2 must never speak Zekiye's dialogue.\nNever swap the characters or voices.\n\n\nsummary:\n\n[reference generation + audio reference] Direct continuation of the previous chase. Zekiye is running through the house with Selvi's smartphone while blonde-haired Selvi chases her and throws cushions. Suddenly the front doorbell rings loudly and repeatedly for a long time. Both women stop immediately and stare toward the entrance. The chase completely stops. They exchange a confused look as the doorbell continues ringing. The episode ends before the person at the door is revealed.\n\n\nretention_analysis:\n\nSubject 1, Zekiye (@image2), appears in [Shot 1], [Shot 2], [Shot 3]: fully_preserved - preserve Zekiye's exact facial identity, hairstyle, body proportions, clothing and appearance.\n\nSubject 2, Selvi (@image3), appears in [Shot 1], [Shot 2], [Shot 3]: fully_preserved - preserve Selvi's exact facial identity, blonde hair, body proportions, clothing and appearance.\n\nSubject 3, home environment (@image4), appears in [Shot 1], [Shot 2], [Shot 3]: fully_preserved - preserve the exact architecture, furniture, spatial layout, entrance and visual appearance.\n\nSubject 4, older Selvi (@image5): not visible in this scene.\n\n\ndetailed_description:\n\nContinue immediately from the final moment of the previous scene. Zekiye is still running through the house with Selvi's smartphone while blonde-haired Selvi chases her with a cushion.\n\n[Shot 1] At 00:00.000, handheld medium-wide tracking shot following Zekiye (@image2, S1) running through the exact home environment from @image4. Zekiye holds Selvi's smartphone in one hand and looks back while laughing. Selvi (@image3, S2), the blonde-haired woman, runs closely behind her holding a sofa cushion. The movement is energetic but natural and playful. The camera tracks backward in front of them with medium amplitude at medium-fast speed.\n\nS2 — SELVİ (@image3), the blonde-haired woman, shouting playfully while chasing Zekiye:\n<d>[Turkish] Zekiye! Ver şu telefonu!</d>\n\nZekiye keeps running and laughing.\n\n[Shot 2] At 00:04.200, while both women are still moving through the house, the FRONT DOORBELL suddenly rings loudly.\n\nDING-DONG.\n\nBoth women immediately stop in the middle of the chase.\n\nA second long doorbell follows.\n\nDING-DONG... DING-DONG...\n\nZekiye slowly lowers the phone.\nSelvi lowers the cushion.\nBoth turn their heads toward the front entrance.\n\nThe camera makes a quick but controlled pan toward the direction of the front door, then settles on both women in the same frame.\n\nS1 — ZEKİYE (@image2), suddenly confused:\n<d>[Turkish] Oğlum kim o?</d>\n\nSelvi says nothing and stares toward the entrance.\n\n[Shot 3] At 00:09.500, cut to a wider static shot from inside the living room looking toward Zekiye, Selvi and the front entrance of the exact home from @image4. Neither woman moves.\n\nThe doorbell rings again, much longer and more insistently.\n\nDING-DONG... DING-DONG... DING-DONG...\n\nZekiye and the blonde-haired Selvi slowly look at each other.\n\nSelvi's playful expression disappears.\nZekiye's smile disappears.\nBoth now look genuinely curious and slightly confused.\n\nS2 — SELVİ (@image3), the blonde-haired woman, quietly:\n<d>[Turkish] Kim lan bu?</d>\n\nNeither woman approaches the door.\n\nThe camera slowly pushes toward them with small amplitude at very slow speed while the long doorbell continues in the background.\n\nFINAL MOMENT:\nThe door remains completely closed.\nThe person outside is NEVER revealed.\nDo not show the visitor, their face, their body or their silhouette.\nZekiye is still holding Selvi's phone.\nSelvi is still holding the cushion.\nBoth remain frozen, staring toward the door.\n\nThe final doorbell rings one last long time.\n\nDING-DONG....................\n\nCUT TO BLACK.\n\n\noverall_soundscape:\n\nEnergetic footsteps and playful movement at the beginning. Cushion movement and light laughter from the chase. The front doorbell suddenly becomes the dominant sound and interrupts the chase completely. Use a realistic loud household doorbell with a long sustained ringing pattern and repeated DING-DONG cycles. After the bell begins, the house becomes noticeably quiet. Subtle room tone remains underneath. The final long doorbell continues right up to the cut to black.\n\nZekiye's voice is ONLY S1.\nSelvi's voice is ONLY S2.\nNo other voices are heard.\nThe person outside the door does not speak.\n\n\nnon_diegetic_music:\n\nPlayful comedy music accompanies the beginning of the chase. Immediately when the doorbell first rings, the music stops abruptly. Leave mostly natural room tone and the doorbell. A very subtle suspense note can enter during the final stare toward the door, but keep it restrained. End completely on the final long doorbell and cut to black.","slots":{"first":{},"last":{},"images":[{"file":"cglide/göbekli-tepe.jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}}]},"ue_properties":{"widget_ue_connectable":{"h3_data":true},"version":"7.8","input_ue_unconnectable":{}},"gcast_run_mode":"continue"},"widgets_values":["{\"mode\":\"ref2va\",\"width\":512,\"height\":768,\"length\":362,\"ref_image_size\":\"max\",\"pace\":2.5,\"prompt\":\"15-second ultra-realistic cinematic comedy-drama scene, continuing directly from the end of Episode 18.\\n\\nREFERENCE LOCK:\\n@image2 = ZEKİYE. This is Zekiye. Preserve her exact face, hairstyle, body proportions, clothing and identity.\\n@image3 = SELVİ. This is Selvi. SELVİ HAS BLONDE HAIR. Preserve her exact face, blonde hair, body proportions, clothing and identity.\\n@image4 = EXACT HOME REFERENCE. The scene takes place inside the exact house shown in @image4. Preserve the house architecture, furniture, layout, colors and visual identity exactly.\\n\\nABSOLUTE CHARACTER IDENTITY AND VOICE LOCK:\\n@image2 = ZEKİYE = S1 = Zekiye's voice ONLY.\\n@image3 = SELVİ = S2 = Selvi's voice ONLY.\\nTHE BLONDE-HAIRED WOMAN IS SELVİ.\\nS1 must NEVER speak Selvi's dialogue.\\nS2 must NEVER speak Zekiye's dialogue.\\nNever swap the characters, voices or dialogue.\\n\\nSCENE CONTINUITY:\\nMorning immediately after Episode 18. Zekiye and Selvi are back at home. Their appearance and clothing remain consistent with the previous episode.\\n\\nACTION:\\nInside the exact home from @image4, Zekiye is preparing breakfast.\\nSelvi, the blonde-haired woman, is sitting nearby and repeatedly checking her smartphone.\\nShe is trying to hide what she is looking at.\\nZekiye notices Selvi's strange behavior and looks at her curiously.\\n\\nDIALOGUE:\\n\\nS1 — ZEKİYE, looking at blonde-haired Selvi with playful curiosity:\\n\\\"Kız Selvi, sen telefona âşık mı oldun? Ne bakıp duruyon?\\\"\\n\\nS2 — SELVİ, the blonde-haired woman, quickly locking her phone and pretending nothing happened:\\n\\\"Ya yok bi şey, ne olacak?\\\"\\n\\nZekiye gives Selvi a suspicious but playful look.\\n\\nCAMERA:\\nStart with a natural medium-wide shot showing Zekiye and blonde-haired Selvi together inside the exact house from @image4.\\nSlowly push toward the two women.\\nFocus on Selvi when she secretly checks her phone.\\nCut to Zekiye noticing her.\\nEnd with Selvi quickly locking the phone and hiding the screen.\\n\\nPERFORMANCE:\\nYoung, natural Turkish friend-to-friend conversation.\\nVery casual everyday speech.\\nPlayful teasing between close friends.\\nNatural facial expressions and spontaneous body language.\\nNo formal or theatrical dialogue delivery.\\n\\nLIGHTING:\\nSoft natural morning daylight from the existing house environment.\\nRealistic shadows, natural skin tones and cinematic depth.\\n\\nVISUAL STYLE:\\nUltra-realistic cinematic Turkish series, photorealistic faces, realistic blonde hair on Selvi, natural skin texture, realistic smartphone, detailed home interior, professional cinematography, subtle depth of field, 4K cinematic detail.\\n\\nENDING:\\nSelvi hides the phone slightly.\\nZekiye looks at her as if she knows Selvi is hiding something.\\nSelvi avoids eye contact.\\n\",\"slots\":{\"first\":{},\"last\":{},\"images\":[{},{},{},{},{},{},{},{},{}],\"videos\":[{},{},{}],\"audios\":[{},{},{}]},\"cont\":{}}",""],"widgets_values_named":{"h3_data":"{\"mode\":\"ref2va\",\"width\":512,\"height\":768,\"length\":362,\"ref_image_size\":\"max\",\"pace\":2.5,\"prompt\":\"15-second ultra-realistic cinematic comedy-drama scene, continuing directly from the end of Episode 18.\\n\\nREFERENCE LOCK:\\n@image2 = ZEKİYE. This is Zekiye. Preserve her exact face, hairstyle, body proportions, clothing and identity.\\n@image3 = SELVİ. This is Selvi. SELVİ HAS BLONDE HAIR. Preserve her exact face, blonde hair, body proportions, clothing and identity.\\n@image4 = EXACT HOME REFERENCE. The scene takes place inside the exact house shown in @image4. Preserve the house architecture, furniture, layout, colors and visual identity exactly.\\n\\nABSOLUTE CHARACTER IDENTITY AND VOICE LOCK:\\n@image2 = ZEKİYE = S1 = Zekiye's voice ONLY.\\n@image3 = SELVİ = S2 = Selvi's voice ONLY.\\nTHE BLONDE-HAIRED WOMAN IS SELVİ.\\nS1 must NEVER speak Selvi's dialogue.\\nS2 must NEVER speak Zekiye's dialogue.\\nNever swap the characters, voices or dialogue.\\n\\nSCENE CONTINUITY:\\nMorning immediately after Episode 18. Zekiye and Selvi are back at home. Their appearance and clothing remain consistent with the previous episode.\\n\\nACTION:\\nInside the exact home from @image4, Zekiye is preparing breakfast.\\nSelvi, the blonde-haired woman, is sitting nearby and repeatedly checking her smartphone.\\nShe is trying to hide what she is looking at.\\nZekiye notices Selvi's strange behavior and looks at her curiously.\\n\\nDIALOGUE:\\n\\nS1 — ZEKİYE, looking at blonde-haired Selvi with playful curiosity:\\n\\\"Kız Selvi, sen telefona âşık mı oldun? Ne bakıp duruyon?\\\"\\n\\nS2 — SELVİ, the blonde-haired woman, quickly locking her phone and pretending nothing happened:\\n\\\"Ya yok bi şey, ne olacak?\\\"\\n\\nZekiye gives Selvi a suspicious but playful look.\\n\\nCAMERA:\\nStart with a natural medium-wide shot showing Zekiye and blonde-haired Selvi together inside the exact house from @image4.\\nSlowly push toward the two women.\\nFocus on Selvi when she secretly checks her phone.\\nCut to Zekiye noticing her.\\nEnd with Selvi quickly locking the phone and hiding the screen.\\n\\nPERFORMANCE:\\nYoung, natural Turkish friend-to-friend conversation.\\nVery casual everyday speech.\\nPlayful teasing between close friends.\\nNatural facial expressions and spontaneous body language.\\nNo formal or theatrical dialogue delivery.\\n\\nLIGHTING:\\nSoft natural morning daylight from the existing house environment.\\nRealistic shadows, natural skin tones and cinematic depth.\\n\\nVISUAL STYLE:\\nUltra-realistic cinematic Turkish series, photorealistic faces, realistic blonde hair on Selvi, natural skin texture, realistic smartphone, detailed home interior, professional cinematography, subtle depth of field, 4K cinematic detail.\\n\\nENDING:\\nSelvi hides the phone slightly.\\nZekiye looks at her as if she knows Selvi is hiding something.\\nSelvi avoids eye contact.\\n\",\"slots\":{\"first\":{},\"last\":{},\"images\":[{},{},{},{},{},{},{},{},{}],\"videos\":[{},{},{}],\"audios\":[{},{},{}]},\"cont\":{}}","h3_ui":""}},{"id":163,"type":"CSGlideJoinCS","pos":[224.69228096318926,5176.20861253893],"size":[225,326],"flags":{"collapsed":false},"order":21,"mode":0,"inputs":[{"localized_name":"images","name":"images","type":"IMAGE","link":311},{"localized_name":"audio","name":"audio","shape":7,"type":"AUDIO","link":312},{"localized_name":"source_video","name":"source_video","type":"STRING","widget":{"name":"source_video"},"link":328},{"localized_name":"overlap_frames","name":"overlap_frames","type":"INT","widget":{"name":"overlap_frames"},"link":327},{"localized_name":"seam_mode","name":"seam_mode","type":"COMBO","widget":{"name":"seam_mode"},"link":null},{"localized_name":"seam_blend_frames","name":"seam_blend_frames","type":"INT","widget":{"name":"seam_blend_frames"},"link":null},{"localized_name":"match_levels","name":"match_levels","type":"BOOLEAN","widget":{"name":"match_levels"},"link":null},{"localized_name":"fps","name":"fps","shape":7,"type":"FLOAT","widget":{"name":"fps"},"link":null},{"localized_name":"match_tail","name":"match_tail","shape":7,"type":"BOOLEAN","widget":{"name":"match_tail"},"link":null}],"outputs":[{"localized_name":"images","name":"images","type":"IMAGE","links":[315]},{"localized_name":"audio","name":"audio","type":"AUDIO","links":[314]},{"localized_name":"frame_count","name":"frame_count","type":"INT","links":null},{"localized_name":"chain","name":"chain","type":"STRING","links":null}],"properties":{"Node 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S&R":"RTXVideoSuperResolution","ue_properties":{"widget_ue_connectable":{},"input_ue_unconnectable":{},"version":"7.8"}},"widgets_values":["scale by multiplier",2,"ULTRA"],"widgets_values_named":{"resize_type":"scale by multiplier","resize_type.scale":2,"quality":"ULTRA"}},{"id":167,"type":"PixaromaRunTimer","pos":[355.2048776145952,4512.60400031572],"size":[210,88],"flags":{"no_title":true},"order":8,"mode":0,"inputs":[],"outputs":[],"properties":{"Node name for 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S&R":"LoraLoaderModelOnly","ue_properties":{"widget_ue_connectable":{},"input_ue_unconnectable":{},"version":"7.8"}},"widgets_values":["minimax_h3_ref2v_turbo_4step_v0.1_comfyui_bf16.safetensors",1],"widgets_values_named":{"lora_name":"minimax_h3_ref2v_turbo_4step_v0.1_comfyui_bf16.safetensors","strength_model":1}},{"id":172,"type":"LoraLoaderModelOnly","pos":[-1707.480906656944,4117.626956210319],"size":[288.546875,90],"flags":{},"order":12,"mode":4,"inputs":[{"localized_name":"model","name":"model","type":"MODEL","link":320},{"localized_name":"lora_adı","name":"lora_name","type":"COMBO","widget":{"name":"lora_name"},"link":null},{"localized_name":"model_gücü","name":"strength_model","type":"FLOAT","widget":{"name":"strength_model"},"link":null}],"outputs":[{"localized_name":"MODEL","name":"MODEL","type":"MODEL","links":[330]}],"properties":{"Node name for S&R":"LoraLoaderModelOnly","ue_properties":{"widget_ue_connectable":{},"input_ue_unconnectable":{},"version":"7.8"}},"widgets_values":["FastH3-Dense-4-step-v1-LoRA-ComfyUI-pruned.safetensors",1],"widgets_values_named":{"lora_name":"FastH3-Dense-4-step-v1-LoRA-ComfyUI-pruned.safetensors","strength_model":1}},{"id":175,"type":"CSGlideCastCS","pos":[-1693.860237359946,6082.959147183611],"size":[1075.4375,1651],"flags":{"collapsed":false},"order":11,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":322},{"localized_name":"vae","name":"vae","type":"VAE","link":324},{"localized_name":"audio_vae","name":"audio_vae","shape":7,"type":"VAE","link":323},{"localized_name":"first_frame","name":"first_frame","shape":7,"type":"IMAGE","link":null},{"localized_name":"last_frame","name":"last_frame","shape":7,"type":"IMAGE","link":null},{"localized_name":"h3_data","name":"h3_data","type":"STRING","widget":{"name":"h3_data"},"link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[325]},{"localized_name":"latent","name":"latent","type":"LATENT","links":[326]},{"localized_name":"width","name":"width","type":"INT","links":null},{"localized_name":"height","name":"height","type":"INT","links":null},{"localized_name":"length","name":"length","type":"INT","links":null},{"localized_name":"seconds","name":"seconds","type":"FLOAT","links":null},{"localized_name":"overlap_frames","name":"overlap_frames","type":"INT","links":[327]},{"localized_name":"source_video","name":"source_video","type":"STRING","links":[328]},{"localized_name":"guide_frames","name":"guide_frames","type":"IMAGE","links":null},{"localized_name":"positive_refine","name":"positive_refine","type":"CONDITIONING","links":[]},{"localized_name":"clip_name","name":"clip_name","type":"STRING","links":[]}],"properties":{"Node name for S&R":"CSGlideCastCS","gcast_project":{"name":"Bölüm-20","shots":[{"id":"7k5cbnh","name":"","off":false,"colour":"","link":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. This reference defines the close camera distance, sofa seating arrangement and intimate framing of Zekiye, young Selvi and elderly Selvi together.\n\n@image2 = Zekiye character reference. Preserve her exact facial identity, hairstyle, age, clothing and appearance.\n\n@image3 = young Selvi character reference. Selvi is the blonde woman. Preserve her exact facial identity, blonde hair, age, clothing and appearance.\n\n@image4 = wide living-room environment reference. Preserve the architecture, luxury interior, large floor-to-ceiling windows, city skyline, marble floor, sofa, lighting and overall environment from this reference.\n\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi from @image3. Preserve her exact aged facial identity, gray-blonde hair, wrinkles, hairstyle, clothing and recognizable facial structure.\n\nCharacter and voice lock:\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye's dialogue.\nS2 speaks only young Selvi's dialogue.\nS3 speaks only elderly Selvi's dialogue.\nNever swap voices or identities.\n\nsummary:\n\nA realistic cinematic comedy scene in Zekiye's luxury apartment. Zekiye and young blonde Selvi discover elderly Selvi, who has arrived from the future. Elderly Selvi is unmistakably the aged future version of young Selvi. All three women sit closely together on the sofa and elderly Selvi begins warning them about what they are currently living through and what will happen later.\n\nretention_analysis:\n\nPreserve Zekiye from @image2 exactly.\nPreserve young blonde Selvi from @image3 exactly.\nPreserve elderly Selvi from @image5 exactly.\nUse @image4 for the living-room environment.\nUse @image1 for the close three-person composition.\n\nThe final scene must combine the environment from @image4 with the close framing and seating arrangement from @image1.\n\nAll three women remain together on the same sofa.\nKeep their relative positions stable.\nZekiye remains Zekiye.\nYoung blonde Selvi remains young Selvi.\nElderly Selvi remains elderly Selvi.\nElderly Selvi must clearly look like young Selvi many years later.\n\nNo additional characters.\nNo identity changes.\nNo face swapping.\nNo wardrobe changes.\nNo wide establishing shot after the opening.\nNatural realistic facial expressions and body language.\nLive-action cinematic Turkish comedy style.\n\nintegrated_multimodal_description:\n\n[Shot 1] Live-action, cinematic, realistic Turkish comedy series. Inside the luxury high-rise living room from @image4 during early evening, with the city skyline visible through the large windows. Zekiye and young blonde Selvi are seated together on the sofa. Elderly Selvi from @image5 is already with them. All three women are framed closely together according to the composition of @image1. Zekiye and young Selvi stare at elderly Selvi with disbelief. Elderly Selvi remains calm and slightly amused. The camera holds a stable intimate medium close-up of all three women.\n\nZEKİYE (S1) says: <d>[Turkish] Selvi?..</d>\n\n[Shot 2] At 00:05.000, the camera pushes in with small amplitude at slow speed toward young Selvi and elderly Selvi. Young blonde Selvi studies elderly Selvi's face, realizing how strongly they resemble each other. Zekiye looks between the two women, still confused.\n\nGENÇ SELVİ (S2) says: <d>[Turkish] Ben miyim o?</d>\n\n[Shot 3] At 00:09.500, the camera makes a subtle slow pan from young Selvi toward elderly Selvi while keeping all three women visible in the same close composition. Elderly Selvi calmly looks directly at young Selvi with a knowing expression.\n\nYAŞLI SELVİ (S3) says: <d>[Turkish] Evet kızım... Ben senin gelecekteki halinim.</d>\n\nAfter the line, Zekiye and young Selvi remain silent and stunned. Elderly Selvi leans slightly forward, preparing to explain why she came from the future.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, subtle distant city sounds through the windows, soft room tone, natural breathing, subtle sofa and clothing movement. Door and entrance sounds are already finished before the opening frame. Dialogue is clean, natural and clearly separated between the three female voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic mystery-comedy score with soft low strings and light piano at a slow tempo. The music slightly increases when young Selvi realizes the elderly woman is her future self. The music drops almost completely underneath the final dialogue, then ends with a very subtle comedic musical beat.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}},"lastOut":{"name":"MiniMax_H3_00817.mkv","subfolder":"","type":"output"}},{"id":"85bvjny","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition and camera distance.\n@image2 = Zekiye character reference.\n@image3 = young blonde Selvi character reference.\n@image4 = wide luxury living-room environment reference.\n@image5 = elderly Selvi character reference, the aged future version of young Selvi.\n\nCharacter and voice lock:\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\nNever swap voices or identities.\n\nsummary:\n\nDirect continuation from the previous scene. Zekiye and young Selvi are still sitting closely beside elderly Selvi on the sofa. They are stunned after learning that elderly Selvi is her future self. Elderly Selvi explains that she did not come simply to visit them; she came because she had already lived through the period they are currently experiencing and wants to warn them about what they are failing to recognize.\n\nretention_analysis:\n\nContinue directly from the final frame of the previous shot.\nPreserve the exact positions of all three women.\nPreserve the same luxury living room from @image4.\nPreserve the close three-person composition from @image1.\nDo not introduce new characters.\nDo not change clothing or hairstyles.\nElderly Selvi remains visually identical to @image5.\nYoung Selvi remains blonde and identical to @image3.\nZekiye remains identical to @image2.\nKeep the tone serious but with subtle natural comedy.\nNo exaggerated acting.\n\ndetailed_description:\n\n[Shot 1] Live-action cinematic continuation from the previous scene. The three women remain seated closely together on the sofa. Zekiye and young Selvi are still processing elderly Selvi's revelation. Elderly Selvi looks at both of them calmly. The camera remains in an intimate medium close-up matching @image1, with all three faces clearly visible.\n\nYAŞLI SELVİ (S3, calm and serious) says:\n<d>[Turkish] Bakın... Ben buraya sizi korkutmaya gelmedim.</d>\n\n[Shot 2] At 00:05.000, elderly Selvi slightly leans forward. Zekiye and young Selvi turn their attention completely toward her. The camera makes a very slow subtle push-in toward the three women.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] Siz şu anda bunları yaşarken bazı şeylerin farkında değilsiniz.</d>\n\n[Shot 3] At 00:09.500, elderly Selvi briefly looks at young Selvi, then at Zekiye. Her expression becomes more serious, as if remembering events she personally experienced.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] Ben bunların hepsini yaşadım.</d>\n\n[Shot 4] At 00:12.000, young Selvi looks concerned. Zekiye remains silent. Elderly Selvi finishes with a quiet warning while maintaining eye contact with them.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] O yüzden sizi uyarmaya geldim.</d>\n\nThe three women remain silent for a brief moment, preparing for elderly Selvi's explanation of what happened during their time.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, subtle distant city sounds, natural breathing, clothing movement and sofa movement. Dialogue remains clean and clearly separated between the three voices. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle mysterious cinematic underscore. The music becomes slightly more serious as elderly Selvi explains why she came. It remains restrained and does not overpower the dialogue. A tiny unresolved musical note at the end leads naturally into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00817_1.mkv","dur":15.107,"start":14.232,"end":15.107,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00817.mkv","dur":15.107,"start":14.232,"end":15.107,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00818.mkv","subfolder":"","type":"output"}},{"id":"37y0v5y","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Use this image for the exact close framing, sofa arrangement, character proximity and overall visual composition.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing style.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing style.\n\n@image4 = wide luxury living-room environment reference. Preserve the architecture, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi. Preserve her exact facial identity, gray-blonde hair, wrinkles, hairstyle and clothing.\n\nCHARACTER IDENTITY AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. The three women remain seated closely together in the luxury living room. Elderly Selvi begins explaining the first major period she remembers: the COVID era. She tells Zekiye and young Selvi that many claims and conspiracy theories circulated at the time, including claims that the pandemic was intended to reduce the population. She explains that people argued about these claims intensely, while ordinary people were simply trying to understand what was happening.\n\nretention_analysis:\n\nContinue directly from the previous frame.\nMaintain the same sofa positions.\nMaintain the same close camera distance as @image1.\nUse @image4 only for environmental consistency.\nAll three women remain visible.\nNo new characters.\nNo wardrobe changes.\nZekiye and young Selvi wear modest everyday clothing.\nElderly Selvi remains visually consistent with @image5.\nNatural realistic acting.\nThe dialogue is presented as elderly Selvi recalling what people were saying and debating at the time, not as an objective factual assertion.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. All three women remain seated closely together on the sofa. Elderly Selvi looks toward Zekiye and young Selvi with a serious but calm expression. Zekiye and young Selvi listen carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bakın... Önce Corona dönemini hatırlayın.</d>\n\n[Shot 2] At 00:04.500, the camera makes a very slow cinematic push toward elderly Selvi while keeping Zekiye and young Selvi visible in the frame. Elderly Selvi speaks as if recalling something she personally witnessed.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] O zaman insanlar neyin ne olduğunu anlamaya çalışıyordu.</d>\n\n[Shot 3] At 00:08.500, young Selvi looks at elderly Selvi with curiosity. Zekiye remains focused on her. Elderly Selvi continues calmly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Nüfusu azaltmak için çıkarıldı diyenler bile vardı.</d>\n\n[Shot 4] At 00:11.500, elderly Selvi briefly pauses, then looks between the two younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Kimisi inandı, kimisi inanmadı... ama herkes bir şeylerin ters gittiğini düşünüyordu.</d>\n\nAt the end, young Selvi and Zekiye exchange a brief uncertain look, naturally setting up the next scene.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing and clothing movement. Dialogue remains clean and intimate. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle serious cinematic underscore with a faint mysterious tone. Music remains low underneath the dialogue. A small unresolved musical note at the end creates continuity into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00818_1.mkv","dur":29.216,"start":28.341,"end":29.216,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00818.mkv","dur":29.216,"start":28.341,"end":29.216,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00819.mkv","subfolder":"","type":"output"}},{"id":"h1irkfq","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi moves from the COVID period into the economic turmoil she remembers. She explains that after that period, people increasingly questioned where their money was going, how taxes were being used, what was happening in the stock market and why ordinary people's savings could disappear so quickly. Zekiye and young Selvi listen closely, beginning to realize that elderly Selvi is describing a future they have not yet experienced.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nMaintain the close cinematic composition from @image1.\nMaintain the environment from @image4.\nZekiye, young Selvi and elderly Selvi must remain visually identical to their respective references.\nNo additional characters.\nNo wardrobe changes.\nNo camera cut to a different location.\nNatural facial expressions and restrained realistic acting.\nElderly Selvi speaks as someone recalling and interpreting the events she experienced.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together. Elderly Selvi pauses after discussing the COVID period, then shifts her attention toward the next subject. Zekiye and young Selvi continue listening carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama Corona'dan sonra asıl garip dönem başladı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow subtle push toward the three women while maintaining the same close composition. Elderly Selvi speaks calmly but seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bu sefer insanlar kendi paralarının nereye gittiğini sorgulamaya başladı.</d>\n\n[Shot 3] At 00:08.000, elderly Selvi makes a small gesture with her hand as she lists the subjects. Young Selvi listens with growing concern.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Vergiler, borsa, kanunlar... herkes bunları konuşuyordu.</d>\n\n[Shot 4] At 00:11.500, Zekiye looks directly at elderly Selvi. Elderly Selvi maintains eye contact and finishes the thought.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanların biriktirdiği paralar erirken, bazıları parasını nasıl koruyacağını çoktan öğrenmişti.</d>\n\nAt the end, young Selvi and Zekiye exchange a brief uneasy glance while elderly Selvi remains calm, as if she knows that much more is coming.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Dialogue is intimate, clean and clearly separated between the three voices.\n\nnon_diegetic_music:\n\nLow-volume cinematic dramatic underscore with restrained tension. Very subtle pulse underneath elderly Selvi's explanation. The music slightly intensifies during the words \"Vergiler, borsa, kanunlar\" and ends on a quiet unresolved note.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00819_1.mkv","dur":43.407,"start":42.532,"end":43.407,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00819.mkv","dur":43.407,"start":42.532,"end":43.407,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00820.mkv","subfolder":"","type":"output"}},{"id":"xkag7y0","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation. Elderly Selvi explains that the economic problems became more frustrating because ordinary people began questioning how public money and social assistance were being distributed. She recalls that there were persistent public debates and allegations about privileged groups protecting or moving their wealth abroad, while ordinary citizens struggled with taxes and economic pressure. Zekiye and young Selvi listen closely.\n\nretention_analysis:\n\nDirect continuation from the previous final frame.\nKeep all three women in the same positions on the sofa.\nUse @image1 for the close composition.\nUse @image4 for the environment.\nPreserve all character identities and modest clothing.\nNo new characters.\nNo location change.\nNatural restrained acting.\nElderly Selvi is recalling the period and describing public debates and allegations, not presenting every allegation as independently verified fact.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. Elderly Selvi remains seated beside young Selvi. Zekiye watches her carefully. Elderly Selvi speaks with a calm but increasingly disappointed expression.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sonra daha da garip bir şey başladı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer while keeping all three women visible. Elderly Selvi makes a small hand gesture toward herself and then toward the younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halk vergisini ödüyor, ama paranın nereye gittiğini sorgulamaya başlıyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks concerned and turns slightly toward elderly Selvi.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Peki parayı kim götürüyordu?</d>\n\n[Shot 4] At 00:10.000, elderly Selvi looks directly at young Selvi. Her expression becomes serious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı zenginlerin parasını yurtdışına çıkardığı, bazı kaynakların da kimlere aktarıldığı yıllarca tartışıldı.</d>\n\n[Shot 5] At 00:13.000, Zekiye and young Selvi exchange a brief uneasy glance. Elderly Selvi finishes quietly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de oturup kendi paramızın peşine düştük.</d>\n\nEnd on the three women in the same close composition, with elderly Selvi preparing to explain the social assistance and public-resource controversies that came next.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clean intimate dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nSubtle cinematic dramatic underscore. Very restrained low-frequency tension underneath elderly Selvi's explanation. Music briefly rises during the question \"Peki parayı kim götürüyordu?\" and falls back under the final line.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00820_1.mkv","dur":57.574,"start":56.699,"end":57.574,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00820.mkv","dur":57.574,"start":56.699,"end":57.574,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00821.mkv","subfolder":"","type":"output"}},{"id":"bhx14z3","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that the economic confusion continued through social assistance programs, financial markets and cryptocurrency. She recalls how people questioned where assistance money ultimately went, while ordinary citizens were trying to survive rising costs. She then describes how many people lost savings in the stock market and Bitcoin, with some treating these markets almost like gambling. Zekiye and young Selvi listen with increasing disbelief.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for close composition and camera distance.\nUse @image4 for the living-room environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo wardrobe change.\nNatural facial expressions and realistic Turkish acting.\nElderly Selvi speaks from her remembered experience and describes public debates and controversies from that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same positions on the sofa. Elderly Selvi takes a short breath and continues. Zekiye and young Selvi are completely focused on her.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de sosyal yardımlar vardı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow push-in toward the three women. Elderly Selvi speaks calmly, using a small natural hand gesture.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar yardım paralarının gerçekten ihtiyaç sahibine ulaşıp ulaşmadığını sorguluyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks at elderly Selvi with concern. Zekiye remains silent and attentive.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sonra herkes borsayı konuşmaya başladı, Bitcoin'i konuşmaya başladı.</d>\n\n[Shot 4] At 00:10.500, elderly Selvi slightly shakes her head with a tired, knowing expression.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanların yıllarca biriktirdiği para bir anda eriyebiliyordu.</d>\n\n[Shot 5] At 00:13.000, young Selvi reacts with disbelief and looks toward Zekiye. Elderly Selvi gives a small ironic smile.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] İnsanlar buna nasıl dayanıyordu?</d>\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazıları yatırım dedi, bazıları kumar dedi.</d>\n\nThe three women remain silent for a brief moment. Elderly Selvi looks toward them as if there is an even more disturbing part of the story still to come.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clear intimate Turkish dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore with a restrained tense pulse. Music remains low under the dialogue. A slight tonal shift occurs when elderly Selvi mentions savings disappearing. End with a quiet unresolved note leading directly into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00821_1.mkv","dur":71.699,"start":70.824,"end":71.699,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00821.mkv","dur":71.699,"start":70.824,"end":71.699,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00822.mkv","subfolder":"","type":"output"}},{"id":"nuj66vl","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that some people and lawmakers did try to prevent questionable financial practices, but public arguments continued over laws and regulations that affected ordinary citizens. She recalls the frustration of watching people debate whether money should remain with citizens while new rules kept changing the situation. The tone is serious but natural, with subtle irony.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together.\nUse @image1 for the close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo new characters.\nNo location change.\nNo wardrobe changes.\nNatural Turkish acting.\nElderly Selvi describes what she remembers and how people perceived the events; do not portray disputed claims as independently verified facts.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same close sofa composition. Elderly Selvi looks thoughtful for a moment before continuing. Zekiye and young Selvi listen silently.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Tabii buna engel olmaya çalışanlar da vardı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a slow subtle push toward elderly Selvi while keeping Zekiye and young Selvi visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı insanlar, bazı kanun koyucular gerçekten buna karşı çıkıyordu.</d>\n\n[Shot 3] At 00:07.500, elderly Selvi slightly raises one hand while explaining, then lowers it naturally.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama sonra öyle kanunlar, öyle düzenlemeler tartışıldı ki...</d>\n\n[Shot 4] At 00:10.500, young Selvi leans slightly forward, listening carefully. Elderly Selvi looks between both younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar paranın vatandaşa kalmasını beklerken, yine neyin nasıl değiştiğini anlamaya çalışıyorduk.</d>\n\n[Shot 5] At 00:13.000, Zekiye gives a skeptical expression. Elderly Selvi gives a tired half-smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En kötüsü de... herkes bunun farkındaydı.</d>\n\nA brief silence follows. Young Selvi looks at Zekiye, then back at elderly Selvi.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clear intimate Turkish dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Low restrained tension underneath the dialogue. Music briefly rises during “öyle kanunlar, öyle düzenlemeler” and then falls back into silence at the final sentence. End with a quiet unresolved tone leading into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00822_1.mkv","dur":85.824,"start":84.949,"end":85.824,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00822.mkv","dur":85.824,"start":84.949,"end":85.824,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00823.mkv","subfolder":"","type":"output"}},{"id":"1ll6ctu","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi shifts the conversation from money and laws to children and schools. She explains that the consequences eventually reached children's everyday lives. She remembers parents becoming angry about restrictions placed on children, school rules and even small amounts of money children carried. Zekiye and young Selvi are increasingly disturbed by what they are hearing.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nAll three women remain seated closely together on the same sofa.\nUse @image1 for the close composition.\nUse @image4 for the living-room environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo wardrobe changes.\nNatural restrained acting.\nElderly Selvi is recalling her experience and the public debates of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. Elderly Selvi becomes quieter for a moment. Her expression changes from financial frustration to concern. Zekiye and young Selvi notice the change and look at her attentively.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama sonra mesele sadece para olmaktan çıktı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer to the three women. Elderly Selvi looks directly at young Selvi.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İş çocuklara kadar geldi.</d>\n\n[Shot 3] At 00:07.500, young Selvi's expression becomes concerned. Elderly Selvi continues calmly but seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Çocukların cebindeki üç beş kuruşu bile konuşur hale geldik.</d>\n\n[Shot 4] At 00:10.500, Zekiye slightly leans forward, visibly surprised.\n\nZEKİYE (S1):\n<d>[Turkish] Çocukların parasına bile mi?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks at Zekiye and slowly nods.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Evet... Okul kantinlerinden tut, çocukların okuldan dışarı çıkmasına kadar.</d>\n\n[Shot 6] At 00:14.000, young Selvi looks at elderly Selvi in disbelief. Elderly Selvi holds her gaze as the scene ends.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı çocukları koruyamadılar... ama dışarı çıkmalarına engel olmayı iyi bildiler.</d>\n\nEnd on the three women in silence, with Zekiye and young Selvi visibly unsettled by what they have just heard.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds through the windows, subtle room tone, natural breathing, soft sofa and clothing movement. Dialogue remains intimate, realistic and clearly separated between the three voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Music becomes slightly darker when elderly Selvi says “İş çocuklara kadar geldi.” A restrained low note follows Zekiye's reaction. Music fades almost completely under the final sentence and ends unresolved.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00823_1.mkv","dur":99.949,"start":99.074,"end":99.949,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00823.mkv","dur":99.949,"start":99.074,"end":99.949,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00824.mkv","subfolder":"","type":"output"}},{"id":"rx3ppt3","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing. Zekiye wears modest everyday clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest everyday clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that the strange security mentality of that period was another thing people could not understand. She recalls situations where security systems seemed unable to deal effectively with actual wrongdoing while ordinary people and victims could feel restricted. Zekiye and young Selvi react with disbelief.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nAll three women remain seated closely together on the same sofa.\nUse @image1 for the intimate close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities and modest clothing.\nNo additional characters appear.\nDo not visually recreate a crime or security incident; the scene remains focused on the three women listening.\nNatural facial expressions.\nNo exaggerated comedy acting.\nElderly Selvi is describing her memories and perception of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated together. There is a brief silence after elderly Selvi's previous statement. Zekiye looks troubled. Young Selvi watches elderly Selvi carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de güvenlik meselesi vardı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes toward elderly Selvi while keeping Zekiye and young Selvi visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En çok ona şaşırıyorduk.</d>\n\n[Shot 3] At 00:07.000, elderly Selvi makes a small frustrated gesture with her hand.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Suçluya müdahale edemeyen sistem, bazen mazlumun önüne set oluyordu.</d>\n\n[Shot 4] At 00:10.500, Zekiye turns slightly toward elderly Selvi, visibly confused.\n\nZEKİYE (S1):\n<d>[Turkish] Nasıl yani?</d>\n\n[Shot 5] At 00:12.000, elderly Selvi looks directly at Zekiye. Young Selvi also turns toward her.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsan bazen suçludan çok, kendisini korumaya çalışırken engellerle uğraşıyordu.</d>\n\n[Shot 6] At 00:14.000, young Selvi gives a disbelieving expression. Elderly Selvi remains calm and serious.\n\nThe camera holds on all three women for the final moment.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing and soft clothing movement. Dialogue remains clean and intimate. No police sirens, no crime sounds and no additional voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Slight tension builds during elderly Selvi's explanation. Music drops almost completely during Zekiye's “Nasıl yani?” and returns with a quiet unresolved tone at the end.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00824_1.mkv","dur":114.074,"start":113.199,"end":114.074,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00824.mkv","dur":114.074,"start":113.199,"end":114.074,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00825.mkv","subfolder":"","type":"output"}},{"id":"8uk2d7t","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains the terrorism and political controversies she remembers. In her recollection, ordinary Turkish citizens were overwhelmingly opposed to controversial decisions involving terrorism and its leaders, yet those decisions were still made despite strong public opposition. She describes the frustration of watching the public clearly express its objection while authorities continued in the opposite direction.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for the intimate close composition.\nUse @image4 for the luxury living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo visual depiction of terrorism, weapons or violence.\nKeep the entire scene focused on the three women and their conversation.\nNatural restrained acting.\nElderly Selvi is describing her own recollection and the public reaction of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together. Elderly Selvi looks down for a moment, then raises her eyes toward Zekiye and young Selvi. Her expression is serious and disappointed.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de terör meselesi vardı...</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer while keeping all three women visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halkın büyük kısmı yapılanlara açık açık karşı çıkıyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks at elderly Selvi with disbelief. Elderly Selvi continues calmly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar sokakta, televizyonda, her yerde tepkisini gösteriyordu.</d>\n\n[Shot 4] At 00:10.000, Zekiye leans slightly forward, listening carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama buna rağmen bazı kararlar yine alındı.</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks directly at both younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En çok da buna şaşırıyorduk... Halk istemediğini açıkça söylüyor, yine de yapılıyordu.</d>\n\n[Shot 6] At 00:14.000, Zekiye and young Selvi exchange a silent look. Elderly Selvi remains calm and serious.\n\nEnd on the three women in the same close composition.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing and soft clothing movement. No crowd sounds, no violence sounds and no additional voices. Clean intimate Turkish dialogue.\n\nnon_diegetic_music:\n\nVery restrained cinematic dramatic underscore. A low sustained tone gradually builds as elderly Selvi describes the public opposition. Music drops almost completely during the final sentence, leaving the uncomfortable silence between the three women.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00825_1.mkv","dur":128.199,"start":127.32400000000001,"end":128.199,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00825.mkv","dur":128.199,"start":127.32400000000001,"end":128.199,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00826.mkv","subfolder":"","type":"output"}},{"id":"j95p5u2","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains another source of frustration from that period: despite widespread public opposition, official explanations often made ordinary citizens feel as though they were being mocked or ignored. People could see what was happening around them, yet were repeatedly given explanations that seemed completely disconnected from what they were experiencing. Zekiye asks what people could actually do.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for intimate close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo visual depiction of political rallies, violence or terrorism.\nEverything remains a conversation between the three women.\nNatural restrained facial expressions.\nElderly Selvi speaks from her recollection of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same positions. Elderly Selvi looks between Zekiye and young Selvi. Her expression shows frustration mixed with disbelief.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de açıklamalar vardı...</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow push toward the three women. Elderly Selvi gives a small ironic smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halk ne olduğunu görüyor, sonra çıkıp bambaşka bir şey anlatıyorlardı.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks confused. Elderly Selvi continues with calm disbelief.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de birbirimize bakıp, bizimle dalga mı geçiyorlar diye düşünüyorduk.</d>\n\n[Shot 4] At 00:10.500, Zekiye slightly leans forward. Her expression becomes serious.\n\nZEKİYE (S1):\n<d>[Turkish] Peki siz ne yaptınız?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks directly at Zekiye, then briefly at young Selvi.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz mi?</d>\n\nShe gives a tiny, ironic smile.\n\n[Shot 6] At 00:14.000, elderly Selvi settles back into the sofa.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de her şeyi fark edip, elimizden geldiğince dayanıyorduk.</d>\n\nEnd on Zekiye and young Selvi silently looking at elderly Selvi.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clean intimate Turkish dialogue. No additional voices or exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic-comedy underscore. A faint ironic musical tone appears when elderly Selvi says “Bizimle dalga mı geçiyorlar?” and disappears under Zekiye's question. End with a quiet unresolved note.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00826_1.mkv","dur":142.324,"start":141.449,"end":142.324,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00826.mkv","dur":142.324,"start":141.449,"end":142.324,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00827.mkv","subfolder":"","type":"output"}},{"id":"quhnhgt","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"detailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together on the sofa. Elderly Selvi has just finished explaining that they were aware of what was happening but could not change everything.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz her şeyin farkındaydık Zekiye.</d>\n\n[Shot 2] At 00:04.000, elderly Selvi pauses and gives a tired, ironic smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama 2040'a geldiğimizde artık her şey bitmiş gibiydi.</d>\n\n[Shot 3] At 00:07.000, Zekiye looks curious.\n\nZEKİYE (S1):\n<d>[Turkish] Eee? Sonra ne oldu?</d>\n\n[Shot 4] At 00:08.500, elderly Selvi suddenly becomes very serious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sigara yasağı geldi.</d>\n\nYoung Selvi and Zekiye stare at her.\n\n[Shot 5] At 00:10.500, young Selvi looks completely confused.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Sigara mı?</d>\n\nElderly Selvi nods seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Evet. Her şey bitmişti... bir tek o kalmıştı.</d>\n\n[Shot 6] At 00:12.500, elderly Selvi leans slightly forward, speaking with complete seriousness.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Fabrikaların bacaları tütüyor, atıklar ortada... ama sıra sigaraya gelmişti.</d>\n\n[Shot 7] At 00:14.000, elderly Selvi looks suspiciously toward the camera for a brief moment, then back to the girls.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] O zaman ben de hastalığı yayamadıkları konusunda şüphelenmeye başladım.</d>\n\nZekiye and young Selvi stare at her in stunned silence.\n\nCUT TO BLACK.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle breathing and sofa movement. Dialogue remains clear and intimate. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle serious cinematic music throughout. When elderly Selvi says \"Sigara yasağı geldi\", the music suddenly stops for comedic silence. After \"bir tek o kalmıştı\", add a very subtle ironic musical accent. End immediately after the final line with a short mysterious-comedic sting.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00827_1.mkv","dur":156.449,"start":155.574,"end":156.449,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00827.mkv","dur":156.449,"start":155.574,"end":156.449,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00828.mkv","subfolder":"","type":"output"}},{"id":"8a711l4","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged future version of young Selvi.\n\nsummary:\n\nFinal ending of Episode 20. After telling Zekiye and young Selvi about the future, elderly Selvi becomes emotional. She tells young Selvi that she missed her deeply. Before leaving, she quietly warns Zekiye that she will soon meet someone and should be careful about that person. She refuses to explain further. Elderly Selvi then mysteriously leaves the apartment. Zekiye and young Selvi are left staring at each other in confusion. The episode ends with an emotional but mysterious feeling.\n\nretention_analysis:\n\nDirect continuation from the previous scene.\nKeep all three women in the same luxury living room.\nUse @image1 for the close three-person composition.\nUse @image4 for the environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo sudden transformation.\nNo teleportation effect.\nElderly Selvi leaves naturally but mysteriously.\nHer warning must remain unexplained.\nThe ending should create curiosity for the next episode.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation from the previous scene. The three women remain seated closely together. The atmosphere has become quieter after elderly Selvi's final warning about the future. Elderly Selvi looks at young Selvi with a soft emotional smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Selvi...</d>\n\nYoung Selvi looks at her.\n\n[Shot 2] At 00:04.000, the camera slowly moves closer to elderly Selvi and young Selvi. Elderly Selvi reaches gently toward young Selvi's hand.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Canım arkadaşım... seni çok özlemişim.</d>\n\nYoung Selvi becomes emotional and confused.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Ama daha buradayım...</d>\n\nElderly Selvi gives a small emotional smile.\n\n[Shot 3] At 00:08.000, elderly Selvi turns toward Zekiye. Her expression suddenly becomes serious and mysterious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Zekiye... bu aralar biriyle tanışacaksın.</d>\n\nZekiye looks surprised.\n\n[Shot 4] At 00:10.500, elderly Selvi leans slightly toward Zekiye.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ona dikkat et.</d>\n\nZekiye immediately becomes curious.\n\nZEKİYE (S1):\n<d>[Turkish] Kim?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi stands up slowly. She gives Zekiye a mysterious smile and does not answer the question.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Zamanı gelince anlarsın.</d>\n\nShe looks at young Selvi one final time.\n\n[Shot 6] At 00:14.000, elderly Selvi walks calmly toward the exit. The camera remains with Zekiye and young Selvi in the foreground. Just before leaving the frame, elderly Selvi turns back and gives them one final warm smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Hoşça kalın kızlar.</d>\n\nShe exits.\n\nThe door slowly closes.\n\nZekiye and young Selvi stare at the closed door in complete silence.\n\nCUT TO BLACK.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, soft footsteps, subtle clothing movement and natural breathing. Elderly Selvi's footsteps become slightly quieter as she walks toward the exit. The door closes softly. After the door closes, leave a brief moment of complete silence.\n\nnon_diegetic_music:\n\nBegin with a warm emotional cinematic piano motif when elderly Selvi says \"seni çok özlemişim\". Gradually introduce a subtle mysterious low-frequency texture when she warns Zekiye. Music stops completely when Zekiye asks \"Kim?\". After elderly Selvi says \"Zamanı gelince anlarsın\", play one short mysterious cinematic note. Let the final door closing happen almost silently. CUT TO BLACK.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{"file":"cglide/MiniMax_H3_00828_1.mkv","dur":170.574,"start":169.699,"end":170.574,"audio":false,"chroma":"","codec":"","seam":true}],"audios":[{},{},{}]},"cont":{"file":"cglide/MiniMax_H3_00828.mkv","dur":170.574,"start":169.699,"end":170.574,"audio":true,"chroma":"4:4:4","codec":"hevc"}},"lastOut":{"name":"MiniMax_H3_00829.mkv","subfolder":"","type":"output"}}],"idx":0},"ue_properties":{"widget_ue_connectable":{"h3_data":true},"version":"7.8","input_ue_unconnectable":{}},"cnr_id":"cglide","ver":"71d29c65da01e30badc568d66ab2f6323c5f89d5","aux_id":"CGlide/ComfyUI-CGlide","gcast_prompt_big":false,"gcast_project_prev":{"why":"before Render","at":1792100793565,"name":"Bölüm-20","idx":0,"shots":[{"id":"7k5cbnh","name":"","off":false,"colour":"","link":false,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. This reference defines the close camera distance, sofa seating arrangement and intimate framing of Zekiye, young Selvi and elderly Selvi together.\n\n@image2 = Zekiye character reference. Preserve her exact facial identity, hairstyle, age, clothing and appearance.\n\n@image3 = young Selvi character reference. Selvi is the blonde woman. Preserve her exact facial identity, blonde hair, age, clothing and appearance.\n\n@image4 = wide living-room environment reference. Preserve the architecture, luxury interior, large floor-to-ceiling windows, city skyline, marble floor, sofa, lighting and overall environment from this reference.\n\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi from @image3. Preserve her exact aged facial identity, gray-blonde hair, wrinkles, hairstyle, clothing and recognizable facial structure.\n\nCharacter and voice lock:\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye's dialogue.\nS2 speaks only young Selvi's dialogue.\nS3 speaks only elderly Selvi's dialogue.\nNever swap voices or identities.\n\nsummary:\n\nA realistic cinematic comedy scene in Zekiye's luxury apartment. Zekiye and young blonde Selvi discover elderly Selvi, who has arrived from the future. Elderly Selvi is unmistakably the aged future version of young Selvi. All three women sit closely together on the sofa and elderly Selvi begins warning them about what they are currently living through and what will happen later.\n\nretention_analysis:\n\nPreserve Zekiye from @image2 exactly.\nPreserve young blonde Selvi from @image3 exactly.\nPreserve elderly Selvi from @image5 exactly.\nUse @image4 for the living-room environment.\nUse @image1 for the close three-person composition.\n\nThe final scene must combine the environment from @image4 with the close framing and seating arrangement from @image1.\n\nAll three women remain together on the same sofa.\nKeep their relative positions stable.\nZekiye remains Zekiye.\nYoung blonde Selvi remains young Selvi.\nElderly Selvi remains elderly Selvi.\nElderly Selvi must clearly look like young Selvi many years later.\n\nNo additional characters.\nNo identity changes.\nNo face swapping.\nNo wardrobe changes.\nNo wide establishing shot after the opening.\nNatural realistic facial expressions and body language.\nLive-action cinematic Turkish comedy style.\n\nintegrated_multimodal_description:\n\n[Shot 1] Live-action, cinematic, realistic Turkish comedy series. Inside the luxury high-rise living room from @image4 during early evening, with the city skyline visible through the large windows. Zekiye and young blonde Selvi are seated together on the sofa. Elderly Selvi from @image5 is already with them. All three women are framed closely together according to the composition of @image1. Zekiye and young Selvi stare at elderly Selvi with disbelief. Elderly Selvi remains calm and slightly amused. The camera holds a stable intimate medium close-up of all three women.\n\nZEKİYE (S1) says: <d>[Turkish] Selvi?..</d>\n\n[Shot 2] At 00:05.000, the camera pushes in with small amplitude at slow speed toward young Selvi and elderly Selvi. Young blonde Selvi studies elderly Selvi's face, realizing how strongly they resemble each other. Zekiye looks between the two women, still confused.\n\nGENÇ SELVİ (S2) says: <d>[Turkish] Ben miyim o?</d>\n\n[Shot 3] At 00:09.500, the camera makes a subtle slow pan from young Selvi toward elderly Selvi while keeping all three women visible in the same close composition. Elderly Selvi calmly looks directly at young Selvi with a knowing expression.\n\nYAŞLI SELVİ (S3) says: <d>[Turkish] Evet kızım... Ben senin gelecekteki halinim.</d>\n\nAfter the line, Zekiye and young Selvi remain silent and stunned. Elderly Selvi leans slightly forward, preparing to explain why she came from the future.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, subtle distant city sounds through the windows, soft room tone, natural breathing, subtle sofa and clothing movement. Door and entrance sounds are already finished before the opening frame. Dialogue is clean, natural and clearly separated between the three female voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic mystery-comedy score with soft low strings and light piano at a slow tempo. The music slightly increases when young Selvi realizes the elderly woman is her future self. The music drops almost completely underneath the final dialogue, then ends with a very subtle comedic musical beat.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"85bvjny","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition and camera distance.\n@image2 = Zekiye character reference.\n@image3 = young blonde Selvi character reference.\n@image4 = wide luxury living-room environment reference.\n@image5 = elderly Selvi character reference, the aged future version of young Selvi.\n\nCharacter and voice lock:\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\nNever swap voices or identities.\n\nsummary:\n\nDirect continuation from the previous scene. Zekiye and young Selvi are still sitting closely beside elderly Selvi on the sofa. They are stunned after learning that elderly Selvi is her future self. Elderly Selvi explains that she did not come simply to visit them; she came because she had already lived through the period they are currently experiencing and wants to warn them about what they are failing to recognize.\n\nretention_analysis:\n\nContinue directly from the final frame of the previous shot.\nPreserve the exact positions of all three women.\nPreserve the same luxury living room from @image4.\nPreserve the close three-person composition from @image1.\nDo not introduce new characters.\nDo not change clothing or hairstyles.\nElderly Selvi remains visually identical to @image5.\nYoung Selvi remains blonde and identical to @image3.\nZekiye remains identical to @image2.\nKeep the tone serious but with subtle natural comedy.\nNo exaggerated acting.\n\ndetailed_description:\n\n[Shot 1] Live-action cinematic continuation from the previous scene. The three women remain seated closely together on the sofa. Zekiye and young Selvi are still processing elderly Selvi's revelation. Elderly Selvi looks at both of them calmly. The camera remains in an intimate medium close-up matching @image1, with all three faces clearly visible.\n\nYAŞLI SELVİ (S3, calm and serious) says:\n<d>[Turkish] Bakın... Ben buraya sizi korkutmaya gelmedim.</d>\n\n[Shot 2] At 00:05.000, elderly Selvi slightly leans forward. Zekiye and young Selvi turn their attention completely toward her. The camera makes a very slow subtle push-in toward the three women.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] Siz şu anda bunları yaşarken bazı şeylerin farkında değilsiniz.</d>\n\n[Shot 3] At 00:09.500, elderly Selvi briefly looks at young Selvi, then at Zekiye. Her expression becomes more serious, as if remembering events she personally experienced.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] Ben bunların hepsini yaşadım.</d>\n\n[Shot 4] At 00:12.000, young Selvi looks concerned. Zekiye remains silent. Elderly Selvi finishes with a quiet warning while maintaining eye contact with them.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] O yüzden sizi uyarmaya geldim.</d>\n\nThe three women remain silent for a brief moment, preparing for elderly Selvi's explanation of what happened during their time.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, subtle distant city sounds, natural breathing, clothing movement and sofa movement. Dialogue remains clean and clearly separated between the three voices. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle mysterious cinematic underscore. The music becomes slightly more serious as elderly Selvi explains why she came. It remains restrained and does not overpower the dialogue. A tiny unresolved musical note at the end leads naturally into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"37y0v5y","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Use this image for the exact close framing, sofa arrangement, character proximity and overall visual composition.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing style.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing style.\n\n@image4 = wide luxury living-room environment reference. Preserve the architecture, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi. Preserve her exact facial identity, gray-blonde hair, wrinkles, hairstyle and clothing.\n\nCHARACTER IDENTITY AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. The three women remain seated closely together in the luxury living room. Elderly Selvi begins explaining the first major period she remembers: the COVID era. She tells Zekiye and young Selvi that many claims and conspiracy theories circulated at the time, including claims that the pandemic was intended to reduce the population. She explains that people argued about these claims intensely, while ordinary people were simply trying to understand what was happening.\n\nretention_analysis:\n\nContinue directly from the previous frame.\nMaintain the same sofa positions.\nMaintain the same close camera distance as @image1.\nUse @image4 only for environmental consistency.\nAll three women remain visible.\nNo new characters.\nNo wardrobe changes.\nZekiye and young Selvi wear modest everyday clothing.\nElderly Selvi remains visually consistent with @image5.\nNatural realistic acting.\nThe dialogue is presented as elderly Selvi recalling what people were saying and debating at the time, not as an objective factual assertion.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. All three women remain seated closely together on the sofa. Elderly Selvi looks toward Zekiye and young Selvi with a serious but calm expression. Zekiye and young Selvi listen carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bakın... Önce Corona dönemini hatırlayın.</d>\n\n[Shot 2] At 00:04.500, the camera makes a very slow cinematic push toward elderly Selvi while keeping Zekiye and young Selvi visible in the frame. Elderly Selvi speaks as if recalling something she personally witnessed.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] O zaman insanlar neyin ne olduğunu anlamaya çalışıyordu.</d>\n\n[Shot 3] At 00:08.500, young Selvi looks at elderly Selvi with curiosity. Zekiye remains focused on her. Elderly Selvi continues calmly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Nüfusu azaltmak için çıkarıldı diyenler bile vardı.</d>\n\n[Shot 4] At 00:11.500, elderly Selvi briefly pauses, then looks between the two younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Kimisi inandı, kimisi inanmadı... ama herkes bir şeylerin ters gittiğini düşünüyordu.</d>\n\nAt the end, young Selvi and Zekiye exchange a brief uncertain look, naturally setting up the next scene.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing and clothing movement. Dialogue remains clean and intimate. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle serious cinematic underscore with a faint mysterious tone. Music remains low underneath the dialogue. A small unresolved musical note at the end creates continuity into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"h1irkfq","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi moves from the COVID period into the economic turmoil she remembers. She explains that after that period, people increasingly questioned where their money was going, how taxes were being used, what was happening in the stock market and why ordinary people's savings could disappear so quickly. Zekiye and young Selvi listen closely, beginning to realize that elderly Selvi is describing a future they have not yet experienced.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nMaintain the close cinematic composition from @image1.\nMaintain the environment from @image4.\nZekiye, young Selvi and elderly Selvi must remain visually identical to their respective references.\nNo additional characters.\nNo wardrobe changes.\nNo camera cut to a different location.\nNatural facial expressions and restrained realistic acting.\nElderly Selvi speaks as someone recalling and interpreting the events she experienced.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together. Elderly Selvi pauses after discussing the COVID period, then shifts her attention toward the next subject. Zekiye and young Selvi continue listening carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama Corona'dan sonra asıl garip dönem başladı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow subtle push toward the three women while maintaining the same close composition. Elderly Selvi speaks calmly but seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bu sefer insanlar kendi paralarının nereye gittiğini sorgulamaya başladı.</d>\n\n[Shot 3] At 00:08.000, elderly Selvi makes a small gesture with her hand as she lists the subjects. Young Selvi listens with growing concern.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Vergiler, borsa, kanunlar... herkes bunları konuşuyordu.</d>\n\n[Shot 4] At 00:11.500, Zekiye looks directly at elderly Selvi. Elderly Selvi maintains eye contact and finishes the thought.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanların biriktirdiği paralar erirken, bazıları parasını nasıl koruyacağını çoktan öğrenmişti.</d>\n\nAt the end, young Selvi and Zekiye exchange a brief uneasy glance while elderly Selvi remains calm, as if she knows that much more is coming.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Dialogue is intimate, clean and clearly separated between the three voices.\n\nnon_diegetic_music:\n\nLow-volume cinematic dramatic underscore with restrained tension. Very subtle pulse underneath elderly Selvi's explanation. The music slightly intensifies during the words \"Vergiler, borsa, kanunlar\" and ends on a quiet unresolved note.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"xkag7y0","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation. Elderly Selvi explains that the economic problems became more frustrating because ordinary people began questioning how public money and social assistance were being distributed. She recalls that there were persistent public debates and allegations about privileged groups protecting or moving their wealth abroad, while ordinary citizens struggled with taxes and economic pressure. Zekiye and young Selvi listen closely.\n\nretention_analysis:\n\nDirect continuation from the previous final frame.\nKeep all three women in the same positions on the sofa.\nUse @image1 for the close composition.\nUse @image4 for the environment.\nPreserve all character identities and modest clothing.\nNo new characters.\nNo location change.\nNatural restrained acting.\nElderly Selvi is recalling the period and describing public debates and allegations, not presenting every allegation as independently verified fact.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. Elderly Selvi remains seated beside young Selvi. Zekiye watches her carefully. Elderly Selvi speaks with a calm but increasingly disappointed expression.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sonra daha da garip bir şey başladı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer while keeping all three women visible. Elderly Selvi makes a small hand gesture toward herself and then toward the younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halk vergisini ödüyor, ama paranın nereye gittiğini sorgulamaya başlıyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks concerned and turns slightly toward elderly Selvi.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Peki parayı kim götürüyordu?</d>\n\n[Shot 4] At 00:10.000, elderly Selvi looks directly at young Selvi. Her expression becomes serious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı zenginlerin parasını yurtdışına çıkardığı, bazı kaynakların da kimlere aktarıldığı yıllarca tartışıldı.</d>\n\n[Shot 5] At 00:13.000, Zekiye and young Selvi exchange a brief uneasy glance. Elderly Selvi finishes quietly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de oturup kendi paramızın peşine düştük.</d>\n\nEnd on the three women in the same close composition, with elderly Selvi preparing to explain the social assistance and public-resource controversies that came next.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clean intimate dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nSubtle cinematic dramatic underscore. Very restrained low-frequency tension underneath elderly Selvi's explanation. Music briefly rises during the question \"Peki parayı kim götürüyordu?\" and falls back under the final line.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"bhx14z3","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that the economic confusion continued through social assistance programs, financial markets and cryptocurrency. She recalls how people questioned where assistance money ultimately went, while ordinary citizens were trying to survive rising costs. She then describes how many people lost savings in the stock market and Bitcoin, with some treating these markets almost like gambling. Zekiye and young Selvi listen with increasing disbelief.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for close composition and camera distance.\nUse @image4 for the living-room environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo wardrobe change.\nNatural facial expressions and realistic Turkish acting.\nElderly Selvi speaks from her remembered experience and describes public debates and controversies from that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same positions on the sofa. Elderly Selvi takes a short breath and continues. Zekiye and young Selvi are completely focused on her.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de sosyal yardımlar vardı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow push-in toward the three women. Elderly Selvi speaks calmly, using a small natural hand gesture.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar yardım paralarının gerçekten ihtiyaç sahibine ulaşıp ulaşmadığını sorguluyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks at elderly Selvi with concern. Zekiye remains silent and attentive.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sonra herkes borsayı konuşmaya başladı, Bitcoin'i konuşmaya başladı.</d>\n\n[Shot 4] At 00:10.500, elderly Selvi slightly shakes her head with a tired, knowing expression.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanların yıllarca biriktirdiği para bir anda eriyebiliyordu.</d>\n\n[Shot 5] At 00:13.000, young Selvi reacts with disbelief and looks toward Zekiye. Elderly Selvi gives a small ironic smile.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] İnsanlar buna nasıl dayanıyordu?</d>\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazıları yatırım dedi, bazıları kumar dedi.</d>\n\nThe three women remain silent for a brief moment. Elderly Selvi looks toward them as if there is an even more disturbing part of the story still to come.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clear intimate Turkish dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore with a restrained tense pulse. Music remains low under the dialogue. A slight tonal shift occurs when elderly Selvi mentions savings disappearing. End with a quiet unresolved note leading directly into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"nuj66vl","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that some people and lawmakers did try to prevent questionable financial practices, but public arguments continued over laws and regulations that affected ordinary citizens. She recalls the frustration of watching people debate whether money should remain with citizens while new rules kept changing the situation. The tone is serious but natural, with subtle irony.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together.\nUse @image1 for the close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo new characters.\nNo location change.\nNo wardrobe changes.\nNatural Turkish acting.\nElderly Selvi describes what she remembers and how people perceived the events; do not portray disputed claims as independently verified facts.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same close sofa composition. Elderly Selvi looks thoughtful for a moment before continuing. Zekiye and young Selvi listen silently.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Tabii buna engel olmaya çalışanlar da vardı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a slow subtle push toward elderly Selvi while keeping Zekiye and young Selvi visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı insanlar, bazı kanun koyucular gerçekten buna karşı çıkıyordu.</d>\n\n[Shot 3] At 00:07.500, elderly Selvi slightly raises one hand while explaining, then lowers it naturally.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama sonra öyle kanunlar, öyle düzenlemeler tartışıldı ki...</d>\n\n[Shot 4] At 00:10.500, young Selvi leans slightly forward, listening carefully. Elderly Selvi looks between both younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar paranın vatandaşa kalmasını beklerken, yine neyin nasıl değiştiğini anlamaya çalışıyorduk.</d>\n\n[Shot 5] At 00:13.000, Zekiye gives a skeptical expression. Elderly Selvi gives a tired half-smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En kötüsü de... herkes bunun farkındaydı.</d>\n\nA brief silence follows. Young Selvi looks at Zekiye, then back at elderly Selvi.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clear intimate Turkish dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Low restrained tension underneath the dialogue. Music briefly rises during “öyle kanunlar, öyle düzenlemeler” and then falls back into silence at the final sentence. End with a quiet unresolved tone leading into the next scene.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"1ll6ctu","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi shifts the conversation from money and laws to children and schools. She explains that the consequences eventually reached children's everyday lives. She remembers parents becoming angry about restrictions placed on children, school rules and even small amounts of money children carried. Zekiye and young Selvi are increasingly disturbed by what they are hearing.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nAll three women remain seated closely together on the same sofa.\nUse @image1 for the close composition.\nUse @image4 for the living-room environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo wardrobe changes.\nNatural restrained acting.\nElderly Selvi is recalling her experience and the public debates of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. Elderly Selvi becomes quieter for a moment. Her expression changes from financial frustration to concern. Zekiye and young Selvi notice the change and look at her attentively.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama sonra mesele sadece para olmaktan çıktı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer to the three women. Elderly Selvi looks directly at young Selvi.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İş çocuklara kadar geldi.</d>\n\n[Shot 3] At 00:07.500, young Selvi's expression becomes concerned. Elderly Selvi continues calmly but seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Çocukların cebindeki üç beş kuruşu bile konuşur hale geldik.</d>\n\n[Shot 4] At 00:10.500, Zekiye slightly leans forward, visibly surprised.\n\nZEKİYE (S1):\n<d>[Turkish] Çocukların parasına bile mi?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks at Zekiye and slowly nods.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Evet... Okul kantinlerinden tut, çocukların okuldan dışarı çıkmasına kadar.</d>\n\n[Shot 6] At 00:14.000, young Selvi looks at elderly Selvi in disbelief. Elderly Selvi holds her gaze as the scene ends.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı çocukları koruyamadılar... ama dışarı çıkmalarına engel olmayı iyi bildiler.</d>\n\nEnd on the three women in silence, with Zekiye and young Selvi visibly unsettled by what they have just heard.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds through the windows, subtle room tone, natural breathing, soft sofa and clothing movement. Dialogue remains intimate, realistic and clearly separated between the three voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Music becomes slightly darker when elderly Selvi says “İş çocuklara kadar geldi.” A restrained low note follows Zekiye's reaction. Music fades almost completely under the final sentence and ends unresolved.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"rx3ppt3","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing. Zekiye wears modest everyday clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest everyday clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that the strange security mentality of that period was another thing people could not understand. She recalls situations where security systems seemed unable to deal effectively with actual wrongdoing while ordinary people and victims could feel restricted. Zekiye and young Selvi react with disbelief.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nAll three women remain seated closely together on the same sofa.\nUse @image1 for the intimate close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities and modest clothing.\nNo additional characters appear.\nDo not visually recreate a crime or security incident; the scene remains focused on the three women listening.\nNatural facial expressions.\nNo exaggerated comedy acting.\nElderly Selvi is describing her memories and perception of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated together. There is a brief silence after elderly Selvi's previous statement. Zekiye looks troubled. Young Selvi watches elderly Selvi carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de güvenlik meselesi vardı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes toward elderly Selvi while keeping Zekiye and young Selvi visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En çok ona şaşırıyorduk.</d>\n\n[Shot 3] At 00:07.000, elderly Selvi makes a small frustrated gesture with her hand.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Suçluya müdahale edemeyen sistem, bazen mazlumun önüne set oluyordu.</d>\n\n[Shot 4] At 00:10.500, Zekiye turns slightly toward elderly Selvi, visibly confused.\n\nZEKİYE (S1):\n<d>[Turkish] Nasıl yani?</d>\n\n[Shot 5] At 00:12.000, elderly Selvi looks directly at Zekiye. Young Selvi also turns toward her.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsan bazen suçludan çok, kendisini korumaya çalışırken engellerle uğraşıyordu.</d>\n\n[Shot 6] At 00:14.000, young Selvi gives a disbelieving expression. Elderly Selvi remains calm and serious.\n\nThe camera holds on all three women for the final moment.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing and soft clothing movement. Dialogue remains clean and intimate. No police sirens, no crime sounds and no additional voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Slight tension builds during elderly Selvi's explanation. Music drops almost completely during Zekiye's “Nasıl yani?” and returns with a quiet unresolved tone at the end.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"8uk2d7t","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains the terrorism and political controversies she remembers. In her recollection, ordinary Turkish citizens were overwhelmingly opposed to controversial decisions involving terrorism and its leaders, yet those decisions were still made despite strong public opposition. She describes the frustration of watching the public clearly express its objection while authorities continued in the opposite direction.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for the intimate close composition.\nUse @image4 for the luxury living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo visual depiction of terrorism, weapons or violence.\nKeep the entire scene focused on the three women and their conversation.\nNatural restrained acting.\nElderly Selvi is describing her own recollection and the public reaction of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together. Elderly Selvi looks down for a moment, then raises her eyes toward Zekiye and young Selvi. Her expression is serious and disappointed.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de terör meselesi vardı...</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer while keeping all three women visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halkın büyük kısmı yapılanlara açık açık karşı çıkıyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks at elderly Selvi with disbelief. Elderly Selvi continues calmly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar sokakta, televizyonda, her yerde tepkisini gösteriyordu.</d>\n\n[Shot 4] At 00:10.000, Zekiye leans slightly forward, listening carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama buna rağmen bazı kararlar yine alındı.</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks directly at both younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En çok da buna şaşırıyorduk... Halk istemediğini açıkça söylüyor, yine de yapılıyordu.</d>\n\n[Shot 6] At 00:14.000, Zekiye and young Selvi exchange a silent look. Elderly Selvi remains calm and serious.\n\nEnd on the three women in the same close composition.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing and soft clothing movement. No crowd sounds, no violence sounds and no additional voices. Clean intimate Turkish dialogue.\n\nnon_diegetic_music:\n\nVery restrained cinematic dramatic underscore. A low sustained tone gradually builds as elderly Selvi describes the public opposition. Music drops almost completely during the final sentence, leaving the uncomfortable silence between the three women.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"j95p5u2","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains another source of frustration from that period: despite widespread public opposition, official explanations often made ordinary citizens feel as though they were being mocked or ignored. People could see what was happening around them, yet were repeatedly given explanations that seemed completely disconnected from what they were experiencing. Zekiye asks what people could actually do.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for intimate close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo visual depiction of political rallies, violence or terrorism.\nEverything remains a conversation between the three women.\nNatural restrained facial expressions.\nElderly Selvi speaks from her recollection of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same positions. Elderly Selvi looks between Zekiye and young Selvi. Her expression shows frustration mixed with disbelief.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de açıklamalar vardı...</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow push toward the three women. Elderly Selvi gives a small ironic smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halk ne olduğunu görüyor, sonra çıkıp bambaşka bir şey anlatıyorlardı.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks confused. Elderly Selvi continues with calm disbelief.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de birbirimize bakıp, bizimle dalga mı geçiyorlar diye düşünüyorduk.</d>\n\n[Shot 4] At 00:10.500, Zekiye slightly leans forward. Her expression becomes serious.\n\nZEKİYE (S1):\n<d>[Turkish] Peki siz ne yaptınız?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks directly at Zekiye, then briefly at young Selvi.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz mi?</d>\n\nShe gives a tiny, ironic smile.\n\n[Shot 6] At 00:14.000, elderly Selvi settles back into the sofa.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de her şeyi fark edip, elimizden geldiğince dayanıyorduk.</d>\n\nEnd on Zekiye and young Selvi silently looking at elderly Selvi.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clean intimate Turkish dialogue. No additional voices or exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic-comedy underscore. A faint ironic musical tone appears when elderly Selvi says “Bizimle dalga mı geçiyorlar?” and disappears under Zekiye's question. End with a quiet unresolved note.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"quhnhgt","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"detailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together on the sofa. Elderly Selvi has just finished explaining that they were aware of what was happening but could not change everything.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz her şeyin farkındaydık Zekiye.</d>\n\n[Shot 2] At 00:04.000, elderly Selvi pauses and gives a tired, ironic smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama 2040'a geldiğimizde artık her şey bitmiş gibiydi.</d>\n\n[Shot 3] At 00:07.000, Zekiye looks curious.\n\nZEKİYE (S1):\n<d>[Turkish] Eee? Sonra ne oldu?</d>\n\n[Shot 4] At 00:08.500, elderly Selvi suddenly becomes very serious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sigara yasağı geldi.</d>\n\nYoung Selvi and Zekiye stare at her.\n\n[Shot 5] At 00:10.500, young Selvi looks completely confused.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Sigara mı?</d>\n\nElderly Selvi nods seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Evet. Her şey bitmişti... bir tek o kalmıştı.</d>\n\n[Shot 6] At 00:12.500, elderly Selvi leans slightly forward, speaking with complete seriousness.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Fabrikaların bacaları tütüyor, atıklar ortada... ama sıra sigaraya gelmişti.</d>\n\n[Shot 7] At 00:14.000, elderly Selvi looks suspiciously toward the camera for a brief moment, then back to the girls.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] O zaman ben de hastalığı yayamadıkları konusunda şüphelenmeye başladım.</d>\n\nZekiye and young Selvi stare at her in stunned silence.\n\nCUT TO BLACK.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle breathing and sofa movement. Dialogue remains clear and intimate. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle serious cinematic music throughout. When elderly Selvi says \"Sigara yasağı geldi\", the music suddenly stops for comedic silence. After \"bir tek o kalmıştı\", add a very subtle ironic musical accent. End immediately after the final line with a short mysterious-comedic sting.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}},{"id":"8a711l4","name":"","off":false,"colour":"","link":true,"state":{"mode":"ref2va","width":512,"height":768,"length":362,"ref_image_size":"max","ref_refine_scale":1,"pace":2.5,"prompt":"subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged future version of young Selvi.\n\nsummary:\n\nFinal ending of Episode 20. After telling Zekiye and young Selvi about the future, elderly Selvi becomes emotional. She tells young Selvi that she missed her deeply. Before leaving, she quietly warns Zekiye that she will soon meet someone and should be careful about that person. She refuses to explain further. Elderly Selvi then mysteriously leaves the apartment. Zekiye and young Selvi are left staring at each other in confusion. The episode ends with an emotional but mysterious feeling.\n\nretention_analysis:\n\nDirect continuation from the previous scene.\nKeep all three women in the same luxury living room.\nUse @image1 for the close three-person composition.\nUse @image4 for the environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo sudden transformation.\nNo teleportation effect.\nElderly Selvi leaves naturally but mysteriously.\nHer warning must remain unexplained.\nThe ending should create curiosity for the next episode.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation from the previous scene. The three women remain seated closely together. The atmosphere has become quieter after elderly Selvi's final warning about the future. Elderly Selvi looks at young Selvi with a soft emotional smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Selvi...</d>\n\nYoung Selvi looks at her.\n\n[Shot 2] At 00:04.000, the camera slowly moves closer to elderly Selvi and young Selvi. Elderly Selvi reaches gently toward young Selvi's hand.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Canım arkadaşım... seni çok özlemişim.</d>\n\nYoung Selvi becomes emotional and confused.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Ama daha buradayım...</d>\n\nElderly Selvi gives a small emotional smile.\n\n[Shot 3] At 00:08.000, elderly Selvi turns toward Zekiye. Her expression suddenly becomes serious and mysterious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Zekiye... bu aralar biriyle tanışacaksın.</d>\n\nZekiye looks surprised.\n\n[Shot 4] At 00:10.500, elderly Selvi leans slightly toward Zekiye.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ona dikkat et.</d>\n\nZekiye immediately becomes curious.\n\nZEKİYE (S1):\n<d>[Turkish] Kim?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi stands up slowly. She gives Zekiye a mysterious smile and does not answer the question.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Zamanı gelince anlarsın.</d>\n\nShe looks at young Selvi one final time.\n\n[Shot 6] At 00:14.000, elderly Selvi walks calmly toward the exit. The camera remains with Zekiye and young Selvi in the foreground. Just before leaving the frame, elderly Selvi turns back and gives them one final warm smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Hoşça kalın kızlar.</d>\n\nShe exits.\n\nThe door slowly closes.\n\nZekiye and young Selvi stare at the closed door in complete silence.\n\nCUT TO BLACK.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, soft footsteps, subtle clothing movement and natural breathing. Elderly Selvi's footsteps become slightly quieter as she walks toward the exit. The door closes softly. After the door closes, leave a brief moment of complete silence.\n\nnon_diegetic_music:\n\nBegin with a warm emotional cinematic piano motif when elderly Selvi says \"seni çok özlemişim\". Gradually introduce a subtle mysterious low-frequency texture when she warns Zekiye. Music stops completely when Zekiye asks \"Kim?\". After elderly Selvi says \"Zamanı gelince anlarsın\", play one short mysterious cinematic note. Let the final door closing happen almost silently. CUT TO BLACK.","slots":{"first":{},"last":{},"images":[{"file":"cglide/ev-üçü (1).jpg"},{"file":"cglide/zekiye-sade.jpg"},{"file":"cglide/selvi-sade.jpg"},{"file":"cglide/lüks-ev.png"},{"file":"cglide/yaşlı selvi.jpg"},{},{},{},{}],"videos":[{},{},{}],"audios":[{},{},{}]},"cont":{}}}]},"gcast_settings":{"seamRef":true},"gcast_run_look":true,"gcast_links":1,"gcast_run_scope":"all"},"widgets_values":["{\"mode\":\"ref2va\",\"width\":512,\"height\":768,\"length\":362,\"ref_image_size\":\"max\",\"ref_refine_scale\":1,\"pace\":2.5,\"prompt\":\"subject_definitions:\\n\\n@image1 = close three-person composition reference. This reference defines the close camera distance, sofa seating arrangement and intimate framing of Zekiye, young Selvi and elderly Selvi together.\\n\\n@image2 = Zekiye character reference. Preserve her exact facial identity, hairstyle, age, clothing and appearance.\\n\\n@image3 = young Selvi character reference. Selvi is the blonde woman. Preserve her exact facial identity, blonde hair, age, clothing and appearance.\\n\\n@image4 = wide living-room environment reference. Preserve the architecture, luxury interior, large floor-to-ceiling windows, city skyline, marble floor, sofa, lighting and overall environment from this reference.\\n\\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi from @image3. Preserve her exact aged facial identity, gray-blonde hair, wrinkles, hairstyle, clothing and recognizable facial structure.\\n\\nCharacter and voice lock:\\n@image2 = Zekiye = S1.\\n@image3 = young Selvi = S2.\\n@image5 = elderly Selvi = S3.\\n\\nS1 speaks only Zekiye's dialogue.\\nS2 speaks only young Selvi's dialogue.\\nS3 speaks only elderly Selvi's dialogue.\\nNever swap voices or identities.\\n\\nsummary:\\n\\nA realistic cinematic comedy scene in Zekiye's luxury apartment. Zekiye and young blonde Selvi discover elderly Selvi, who has arrived from the future. Elderly Selvi is unmistakably the aged future version of young Selvi. All three women sit closely together on the sofa and elderly Selvi begins warning them about what they are currently living through and what will happen later.\\n\\nretention_analysis:\\n\\nPreserve Zekiye from @image2 exactly.\\nPreserve young blonde Selvi from @image3 exactly.\\nPreserve elderly Selvi from @image5 exactly.\\nUse @image4 for the living-room environment.\\nUse @image1 for the close three-person composition.\\n\\nThe final scene must combine the environment from @image4 with the close framing and seating arrangement from @image1.\\n\\nAll three women remain together on the same sofa.\\nKeep their relative positions stable.\\nZekiye remains Zekiye.\\nYoung blonde Selvi remains young Selvi.\\nElderly Selvi remains elderly Selvi.\\nElderly Selvi must clearly look like young Selvi many years later.\\n\\nNo additional characters.\\nNo identity changes.\\nNo face swapping.\\nNo wardrobe changes.\\nNo wide establishing shot after the opening.\\nNatural realistic facial expressions and body language.\\nLive-action cinematic Turkish comedy style.\\n\\nintegrated_multimodal_description:\\n\\n[Shot 1] Live-action, cinematic, realistic Turkish comedy series. Inside the luxury high-rise living room from @image4 during early evening, with the city skyline visible through the large windows. Zekiye and young blonde Selvi are seated together on the sofa. Elderly Selvi from @image5 is already with them. All three women are framed closely together according to the composition of @image1. Zekiye and young Selvi stare at elderly Selvi with disbelief. Elderly Selvi remains calm and slightly amused. The camera holds a stable intimate medium close-up of all three women.\\n\\nZEKİYE (S1) says: <d>[Turkish] Selvi?..</d>\\n\\n[Shot 2] At 00:05.000, the camera pushes in with small amplitude at slow speed toward young Selvi and elderly Selvi. Young blonde Selvi studies elderly Selvi's face, realizing how strongly they resemble each other. Zekiye looks between the two women, still confused.\\n\\nGENÇ SELVİ (S2) says: <d>[Turkish] Ben miyim o?</d>\\n\\n[Shot 3] At 00:09.500, the camera makes a subtle slow pan from young Selvi toward elderly Selvi while keeping all three women visible in the same close composition. Elderly Selvi calmly looks directly at young Selvi with a knowing expression.\\n\\nYAŞLI SELVİ (S3) says: <d>[Turkish] Evet kızım... Ben senin gelecekteki halinim.</d>\\n\\nAfter the line, Zekiye and young Selvi remain silent and stunned. Elderly Selvi leans slightly forward, preparing to explain why she came from the future.\\n\\noverall_soundscape:\\n\\nQuiet luxury apartment ambience, subtle distant city sounds through the windows, soft room tone, natural breathing, subtle sofa and clothing movement. Door and entrance sounds are already finished before the opening frame. Dialogue is clean, natural and clearly separated between the three female voices.\\n\\nnon_diegetic_music:\\n\\nVery subtle cinematic mystery-comedy score with soft low strings and light piano at a slow tempo. The music slightly increases when young Selvi realizes the elderly woman is her future self. The music drops almost completely underneath the final dialogue, then ends with a very subtle comedic musical beat.\",\"slots\":{\"first\":{},\"last\":{},\"images\":[{\"file\":\"cglide/ev-üçü (1).jpg\"},{\"file\":\"cglide/zekiye-sade.jpg\"},{\"file\":\"cglide/selvi-sade.jpg\"},{\"file\":\"cglide/lüks-ev.png\"},{\"file\":\"cglide/yaşlı selvi.jpg\"},{},{},{},{}],\"videos\":[{},{},{}],\"audios\":[{},{},{}]},\"cont\":{},\"clip\":{\"name\":\"\",\"index\":1,\"count\":13,\"project\":\"Bölüm-20\"}}",""],"widgets_values_named":{"h3_data":"{\"mode\":\"ref2va\",\"width\":512,\"height\":768,\"length\":362,\"ref_image_size\":\"max\",\"ref_refine_scale\":1,\"pace\":2.5,\"prompt\":\"subject_definitions:\\n\\n@image1 = close three-person composition reference. This reference defines the close camera distance, sofa seating arrangement and intimate framing of Zekiye, young Selvi and elderly Selvi together.\\n\\n@image2 = Zekiye character reference. Preserve her exact facial identity, hairstyle, age, clothing and appearance.\\n\\n@image3 = young Selvi character reference. Selvi is the blonde woman. Preserve her exact facial identity, blonde hair, age, clothing and appearance.\\n\\n@image4 = wide living-room environment reference. Preserve the architecture, luxury interior, large floor-to-ceiling windows, city skyline, marble floor, sofa, lighting and overall environment from this reference.\\n\\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi from @image3. Preserve her exact aged facial identity, gray-blonde hair, wrinkles, hairstyle, clothing and recognizable facial structure.\\n\\nCharacter and voice lock:\\n@image2 = Zekiye = S1.\\n@image3 = young Selvi = S2.\\n@image5 = elderly Selvi = S3.\\n\\nS1 speaks only Zekiye's dialogue.\\nS2 speaks only young Selvi's dialogue.\\nS3 speaks only elderly Selvi's dialogue.\\nNever swap voices or identities.\\n\\nsummary:\\n\\nA realistic cinematic comedy scene in Zekiye's luxury apartment. Zekiye and young blonde Selvi discover elderly Selvi, who has arrived from the future. Elderly Selvi is unmistakably the aged future version of young Selvi. All three women sit closely together on the sofa and elderly Selvi begins warning them about what they are currently living through and what will happen later.\\n\\nretention_analysis:\\n\\nPreserve Zekiye from @image2 exactly.\\nPreserve young blonde Selvi from @image3 exactly.\\nPreserve elderly Selvi from @image5 exactly.\\nUse @image4 for the living-room environment.\\nUse @image1 for the close three-person composition.\\n\\nThe final scene must combine the environment from @image4 with the close framing and seating arrangement from @image1.\\n\\nAll three women remain together on the same sofa.\\nKeep their relative positions stable.\\nZekiye remains Zekiye.\\nYoung blonde Selvi remains young Selvi.\\nElderly Selvi remains elderly Selvi.\\nElderly Selvi must clearly look like young Selvi many years later.\\n\\nNo additional characters.\\nNo identity changes.\\nNo face swapping.\\nNo wardrobe changes.\\nNo wide establishing shot after the opening.\\nNatural realistic facial expressions and body language.\\nLive-action cinematic Turkish comedy style.\\n\\nintegrated_multimodal_description:\\n\\n[Shot 1] Live-action, cinematic, realistic Turkish comedy series. Inside the luxury high-rise living room from @image4 during early evening, with the city skyline visible through the large windows. Zekiye and young blonde Selvi are seated together on the sofa. Elderly Selvi from @image5 is already with them. All three women are framed closely together according to the composition of @image1. Zekiye and young Selvi stare at elderly Selvi with disbelief. Elderly Selvi remains calm and slightly amused. The camera holds a stable intimate medium close-up of all three women.\\n\\nZEKİYE (S1) says: <d>[Turkish] Selvi?..</d>\\n\\n[Shot 2] At 00:05.000, the camera pushes in with small amplitude at slow speed toward young Selvi and elderly Selvi. Young blonde Selvi studies elderly Selvi's face, realizing how strongly they resemble each other. Zekiye looks between the two women, still confused.\\n\\nGENÇ SELVİ (S2) says: <d>[Turkish] Ben miyim o?</d>\\n\\n[Shot 3] At 00:09.500, the camera makes a subtle slow pan from young Selvi toward elderly Selvi while keeping all three women visible in the same close composition. Elderly Selvi calmly looks directly at young Selvi with a knowing expression.\\n\\nYAŞLI SELVİ (S3) says: <d>[Turkish] Evet kızım... Ben senin gelecekteki halinim.</d>\\n\\nAfter the line, Zekiye and young Selvi remain silent and stunned. Elderly Selvi leans slightly forward, preparing to explain why she came from the future.\\n\\noverall_soundscape:\\n\\nQuiet luxury apartment ambience, subtle distant city sounds through the windows, soft room tone, natural breathing, subtle sofa and clothing movement. Door and entrance sounds are already finished before the opening frame. Dialogue is clean, natural and clearly separated between the three female voices.\\n\\nnon_diegetic_music:\\n\\nVery subtle cinematic mystery-comedy score with soft low strings and light piano at a slow tempo. The music slightly increases when young Selvi realizes the elderly woman is her future self. The music drops almost completely underneath the final dialogue, then ends with a very subtle comedic musical beat.\",\"slots\":{\"first\":{},\"last\":{},\"images\":[{\"file\":\"cglide/ev-üçü (1).jpg\"},{\"file\":\"cglide/zekiye-sade.jpg\"},{\"file\":\"cglide/selvi-sade.jpg\"},{\"file\":\"cglide/lüks-ev.png\"},{\"file\":\"cglide/yaşlı selvi.jpg\"},{},{},{},{}],\"videos\":[{},{},{}],\"audios\":[{},{},{}]},\"cont\":{},\"clip\":{\"name\":\"\",\"index\":1,\"count\":13,\"project\":\"Bölüm-20\"}}","h3_ui":""}},{"id":177,"type":"LoraLoaderModelOnly","pos":[-1307.0508600430753,4122.433004657727],"size":[288.546875,90],"flags":{},"order":13,"mode":4,"inputs":[{"localized_name":"model","name":"model","type":"MODEL","link":330},{"localized_name":"lora_adı","name":"lora_name","type":"COMBO","widget":{"name":"lora_name"},"link":null},{"localized_name":"model_gücü","name":"strength_model","type":"FLOAT","widget":{"name":"strength_model"},"link":null}],"outputs":[{"localized_name":"MODEL","name":"MODEL","type":"MODEL","links":[331]}],"properties":{"Node name for S&R":"LoraLoaderModelOnly","ue_properties":{"widget_ue_connectable":{},"input_ue_unconnectable":{},"version":"7.8"}},"widgets_values":["worship_it_000006210.safetensors",1],"widgets_values_named":{"lora_name":"worship_it_000006210.safetensors","strength_model":1}}],"links":[[250,120,0,121,1,"VAE"],[251,119,0,122,1,"VAE"],[253,129,0,125,0,"NOISE"],[254,126,0,125,1,"GUIDER"],[255,123,0,125,2,"SAMPLER"],[256,124,0,125,3,"SIGMAS"],[280,125,0,122,0,"LATENT"],[281,125,0,121,0,"LATENT"],[297,128,0,153,0,"CLIP"],[298,119,0,153,1,"VAE"],[299,120,0,153,2,"VAE"],[306,158,0,126,0,"MODEL"],[308,162,0,158,0,"MODEL"],[311,122,0,163,0,"IMAGE"],[312,121,0,163,1,"AUDIO"],[314,163,1,149,1,"AUDIO"],[315,163,0,165,0,"IMAGE"],[316,165,0,149,0,"IMAGE"],[317,127,0,168,0,"MODEL"],[319,162,0,124,0,"MODEL"],[320,168,0,172,0,"MODEL"],[322,128,0,175,0,"CLIP"],[323,120,0,175,2,"VAE"],[324,119,0,175,1,"VAE"],[325,175,0,126,1,"CONDITIONING"],[326,175,1,125,4,"LATENT"],[327,175,6,163,3,"INT"],[328,175,7,163,2,"STRING"],[330,172,0,177,0,"MODEL"],[331,177,0,162,0,"MODEL"]],"groups":[{"id":6,"title":"Models","bounding":[-2573.386499336682,4558.57993812512,669.859375,658.3099787834367],"color":"#444","flags":{}},{"id":7,"title":"Sampling & Decoding","bounding":[-185.1804442565878,4610.100693728333,660.2597939696442,606.789223180223],"color":"#444","flags":{}},{"id":9,"title":"H3 Studio","bounding":[-1685.2426152386406,4389.205367955119,1069.1747754023277,1582.0749366671425],"color":"#444","flags":{}}],"config":{},"extra":{"ds":{"scale":0.6933706092980071,"offset":[1912.533339029507,-4296.918902718804]},"frontendVersion":"1.49.6","VHS_latentpreview":false,"VHS_latentpreviewrate":0,"VHS_MetadataImage":true,"VHS_KeepIntermediate":true,"ue_links":[],"links_added_by_ue":[]},"version":0.4}