{
 "meta": {
  "app": "H3 Studio project",
  "version": 1,
  "saved": "2026-09-27T17:06:06.431Z"
 },
 "name": "Bölüm-20",
 "idx": 0,
 "shots": [
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   "id": "7k5cbnh",
   "name": "",
   "off": false,
   "colour": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. This reference defines the close camera distance, sofa seating arrangement and intimate framing of Zekiye, young Selvi and elderly Selvi together.\n\n@image2 = Zekiye character reference. Preserve her exact facial identity, hairstyle, age, clothing and appearance.\n\n@image3 = young Selvi character reference. Selvi is the blonde woman. Preserve her exact facial identity, blonde hair, age, clothing and appearance.\n\n@image4 = wide living-room environment reference. Preserve the architecture, luxury interior, large floor-to-ceiling windows, city skyline, marble floor, sofa, lighting and overall environment from this reference.\n\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi from @image3. Preserve her exact aged facial identity, gray-blonde hair, wrinkles, hairstyle, clothing and recognizable facial structure.\n\nCharacter and voice lock:\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye's dialogue.\nS2 speaks only young Selvi's dialogue.\nS3 speaks only elderly Selvi's dialogue.\nNever swap voices or identities.\n\nsummary:\n\nA realistic cinematic comedy scene in Zekiye's luxury apartment. Zekiye and young blonde Selvi discover elderly Selvi, who has arrived from the future. Elderly Selvi is unmistakably the aged future version of young Selvi. All three women sit closely together on the sofa and elderly Selvi begins warning them about what they are currently living through and what will happen later.\n\nretention_analysis:\n\nPreserve Zekiye from @image2 exactly.\nPreserve young blonde Selvi from @image3 exactly.\nPreserve elderly Selvi from @image5 exactly.\nUse @image4 for the living-room environment.\nUse @image1 for the close three-person composition.\n\nThe final scene must combine the environment from @image4 with the close framing and seating arrangement from @image1.\n\nAll three women remain together on the same sofa.\nKeep their relative positions stable.\nZekiye remains Zekiye.\nYoung blonde Selvi remains young Selvi.\nElderly Selvi remains elderly Selvi.\nElderly Selvi must clearly look like young Selvi many years later.\n\nNo additional characters.\nNo identity changes.\nNo face swapping.\nNo wardrobe changes.\nNo wide establishing shot after the opening.\nNatural realistic facial expressions and body language.\nLive-action cinematic Turkish comedy style.\n\nintegrated_multimodal_description:\n\n[Shot 1] Live-action, cinematic, realistic Turkish comedy series. Inside the luxury high-rise living room from @image4 during early evening, with the city skyline visible through the large windows. Zekiye and young blonde Selvi are seated together on the sofa. Elderly Selvi from @image5 is already with them. All three women are framed closely together according to the composition of @image1. Zekiye and young Selvi stare at elderly Selvi with disbelief. Elderly Selvi remains calm and slightly amused. The camera holds a stable intimate medium close-up of all three women.\n\nZEKİYE (S1) says: <d>[Turkish] Selvi?..</d>\n\n[Shot 2] At 00:05.000, the camera pushes in with small amplitude at slow speed toward young Selvi and elderly Selvi. Young blonde Selvi studies elderly Selvi's face, realizing how strongly they resemble each other. Zekiye looks between the two women, still confused.\n\nGENÇ SELVİ (S2) says: <d>[Turkish] Ben miyim o?</d>\n\n[Shot 3] At 00:09.500, the camera makes a subtle slow pan from young Selvi toward elderly Selvi while keeping all three women visible in the same close composition. Elderly Selvi calmly looks directly at young Selvi with a knowing expression.\n\nYAŞLI SELVİ (S3) says: <d>[Turkish] Evet kızım... Ben senin gelecekteki halinim.</d>\n\nAfter the line, Zekiye and young Selvi remain silent and stunned. Elderly Selvi leans slightly forward, preparing to explain why she came from the future.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, subtle distant city sounds through the windows, soft room tone, natural breathing, subtle sofa and clothing movement. Door and entrance sounds are already finished before the opening frame. Dialogue is clean, natural and clearly separated between the three female voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic mystery-comedy score with soft low strings and light piano at a slow tempo. The music slightly increases when young Selvi realizes the elderly woman is her future self. The music drops almost completely underneath the final dialogue, then ends with a very subtle comedic musical beat.",
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     "images": [
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       "file": "cglide/ev-üçü (1).png"
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       "file": "cglide/zekiye-sade.jpg"
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      {
       "file": "cglide/selvi-sade.jpg"
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       "file": "cglide/lüks-ev.png"
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  {
   "id": "85bvjny",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition and camera distance.\n@image2 = Zekiye character reference.\n@image3 = young blonde Selvi character reference.\n@image4 = wide luxury living-room environment reference.\n@image5 = elderly Selvi character reference, the aged future version of young Selvi.\n\nCharacter and voice lock:\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\nNever swap voices or identities.\n\nsummary:\n\nDirect continuation from the previous scene. Zekiye and young Selvi are still sitting closely beside elderly Selvi on the sofa. They are stunned after learning that elderly Selvi is her future self. Elderly Selvi explains that she did not come simply to visit them; she came because she had already lived through the period they are currently experiencing and wants to warn them about what they are failing to recognize.\n\nretention_analysis:\n\nContinue directly from the final frame of the previous shot.\nPreserve the exact positions of all three women.\nPreserve the same luxury living room from @image4.\nPreserve the close three-person composition from @image1.\nDo not introduce new characters.\nDo not change clothing or hairstyles.\nElderly Selvi remains visually identical to @image5.\nYoung Selvi remains blonde and identical to @image3.\nZekiye remains identical to @image2.\nKeep the tone serious but with subtle natural comedy.\nNo exaggerated acting.\n\ndetailed_description:\n\n[Shot 1] Live-action cinematic continuation from the previous scene. The three women remain seated closely together on the sofa. Zekiye and young Selvi are still processing elderly Selvi's revelation. Elderly Selvi looks at both of them calmly. The camera remains in an intimate medium close-up matching @image1, with all three faces clearly visible.\n\nYAŞLI SELVİ (S3, calm and serious) says:\n<d>[Turkish] Bakın... Ben buraya sizi korkutmaya gelmedim.</d>\n\n[Shot 2] At 00:05.000, elderly Selvi slightly leans forward. Zekiye and young Selvi turn their attention completely toward her. The camera makes a very slow subtle push-in toward the three women.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] Siz şu anda bunları yaşarken bazı şeylerin farkında değilsiniz.</d>\n\n[Shot 3] At 00:09.500, elderly Selvi briefly looks at young Selvi, then at Zekiye. Her expression becomes more serious, as if remembering events she personally experienced.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] Ben bunların hepsini yaşadım.</d>\n\n[Shot 4] At 00:12.000, young Selvi looks concerned. Zekiye remains silent. Elderly Selvi finishes with a quiet warning while maintaining eye contact with them.\n\nYAŞLI SELVİ (S3) says:\n<d>[Turkish] O yüzden sizi uyarmaya geldim.</d>\n\nThe three women remain silent for a brief moment, preparing for elderly Selvi's explanation of what happened during their time.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, subtle distant city sounds, natural breathing, clothing movement and sofa movement. Dialogue remains clean and clearly separated between the three voices. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle mysterious cinematic underscore. The music becomes slightly more serious as elderly Selvi explains why she came. It remains restrained and does not overpower the dialogue. A tiny unresolved musical note at the end leads naturally into the next scene.",
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       "file": "cglide/ev-üçü (1).png"
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       "file": "cglide/selvi-sade.jpg"
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  {
   "id": "37y0v5y",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Use this image for the exact close framing, sofa arrangement, character proximity and overall visual composition.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing style.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing style.\n\n@image4 = wide luxury living-room environment reference. Preserve the architecture, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. She is the naturally aged future version of young Selvi. Preserve her exact facial identity, gray-blonde hair, wrinkles, hairstyle and clothing.\n\nCHARACTER IDENTITY AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. The three women remain seated closely together in the luxury living room. Elderly Selvi begins explaining the first major period she remembers: the COVID era. She tells Zekiye and young Selvi that many claims and conspiracy theories circulated at the time, including claims that the pandemic was intended to reduce the population. She explains that people argued about these claims intensely, while ordinary people were simply trying to understand what was happening.\n\nretention_analysis:\n\nContinue directly from the previous frame.\nMaintain the same sofa positions.\nMaintain the same close camera distance as @image1.\nUse @image4 only for environmental consistency.\nAll three women remain visible.\nNo new characters.\nNo wardrobe changes.\nZekiye and young Selvi wear modest everyday clothing.\nElderly Selvi remains visually consistent with @image5.\nNatural realistic acting.\nThe dialogue is presented as elderly Selvi recalling what people were saying and debating at the time, not as an objective factual assertion.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. All three women remain seated closely together on the sofa. Elderly Selvi looks toward Zekiye and young Selvi with a serious but calm expression. Zekiye and young Selvi listen carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bakın... Önce Corona dönemini hatırlayın.</d>\n\n[Shot 2] At 00:04.500, the camera makes a very slow cinematic push toward elderly Selvi while keeping Zekiye and young Selvi visible in the frame. Elderly Selvi speaks as if recalling something she personally witnessed.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] O zaman insanlar neyin ne olduğunu anlamaya çalışıyordu.</d>\n\n[Shot 3] At 00:08.500, young Selvi looks at elderly Selvi with curiosity. Zekiye remains focused on her. Elderly Selvi continues calmly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Nüfusu azaltmak için çıkarıldı diyenler bile vardı.</d>\n\n[Shot 4] At 00:11.500, elderly Selvi briefly pauses, then looks between the two younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Kimisi inandı, kimisi inanmadı... ama herkes bir şeylerin ters gittiğini düşünüyordu.</d>\n\nAt the end, young Selvi and Zekiye exchange a brief uncertain look, naturally setting up the next scene.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing and clothing movement. Dialogue remains clean and intimate. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle serious cinematic underscore with a faint mysterious tone. Music remains low underneath the dialogue. A small unresolved musical note at the end creates continuity into the next scene.",
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     "images": [
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       "file": "cglide/ev-üçü (1).png"
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       "file": "cglide/zekiye-sade.jpg"
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       "file": "cglide/selvi-sade.jpg"
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  {
   "id": "h1irkfq",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi moves from the COVID period into the economic turmoil she remembers. She explains that after that period, people increasingly questioned where their money was going, how taxes were being used, what was happening in the stock market and why ordinary people's savings could disappear so quickly. Zekiye and young Selvi listen closely, beginning to realize that elderly Selvi is describing a future they have not yet experienced.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nMaintain the close cinematic composition from @image1.\nMaintain the environment from @image4.\nZekiye, young Selvi and elderly Selvi must remain visually identical to their respective references.\nNo additional characters.\nNo wardrobe changes.\nNo camera cut to a different location.\nNatural facial expressions and restrained realistic acting.\nElderly Selvi speaks as someone recalling and interpreting the events she experienced.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together. Elderly Selvi pauses after discussing the COVID period, then shifts her attention toward the next subject. Zekiye and young Selvi continue listening carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama Corona'dan sonra asıl garip dönem başladı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow subtle push toward the three women while maintaining the same close composition. Elderly Selvi speaks calmly but seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bu sefer insanlar kendi paralarının nereye gittiğini sorgulamaya başladı.</d>\n\n[Shot 3] At 00:08.000, elderly Selvi makes a small gesture with her hand as she lists the subjects. Young Selvi listens with growing concern.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Vergiler, borsa, kanunlar... herkes bunları konuşuyordu.</d>\n\n[Shot 4] At 00:11.500, Zekiye looks directly at elderly Selvi. Elderly Selvi maintains eye contact and finishes the thought.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanların biriktirdiği paralar erirken, bazıları parasını nasıl koruyacağını çoktan öğrenmişti.</d>\n\nAt the end, young Selvi and Zekiye exchange a brief uneasy glance while elderly Selvi remains calm, as if she knows that much more is coming.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Dialogue is intimate, clean and clearly separated between the three voices.\n\nnon_diegetic_music:\n\nLow-volume cinematic dramatic underscore with restrained tension. Very subtle pulse underneath elderly Selvi's explanation. The music slightly intensifies during the words \"Vergiler, borsa, kanunlar\" and ends on a quiet unresolved note.",
    "slots": {
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     "images": [
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       "file": "cglide/ev-üçü (1).png"
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       "file": "cglide/zekiye-sade.jpg"
      },
      {
       "file": "cglide/selvi-sade.jpg"
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       "file": "cglide/lüks-ev.png"
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  {
   "id": "xkag7y0",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation. Elderly Selvi explains that the economic problems became more frustrating because ordinary people began questioning how public money and social assistance were being distributed. She recalls that there were persistent public debates and allegations about privileged groups protecting or moving their wealth abroad, while ordinary citizens struggled with taxes and economic pressure. Zekiye and young Selvi listen closely.\n\nretention_analysis:\n\nDirect continuation from the previous final frame.\nKeep all three women in the same positions on the sofa.\nUse @image1 for the close composition.\nUse @image4 for the environment.\nPreserve all character identities and modest clothing.\nNo new characters.\nNo location change.\nNatural restrained acting.\nElderly Selvi is recalling the period and describing public debates and allegations, not presenting every allegation as independently verified fact.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. Elderly Selvi remains seated beside young Selvi. Zekiye watches her carefully. Elderly Selvi speaks with a calm but increasingly disappointed expression.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sonra daha da garip bir şey başladı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer while keeping all three women visible. Elderly Selvi makes a small hand gesture toward herself and then toward the younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halk vergisini ödüyor, ama paranın nereye gittiğini sorgulamaya başlıyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks concerned and turns slightly toward elderly Selvi.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Peki parayı kim götürüyordu?</d>\n\n[Shot 4] At 00:10.000, elderly Selvi looks directly at young Selvi. Her expression becomes serious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı zenginlerin parasını yurtdışına çıkardığı, bazı kaynakların da kimlere aktarıldığı yıllarca tartışıldı.</d>\n\n[Shot 5] At 00:13.000, Zekiye and young Selvi exchange a brief uneasy glance. Elderly Selvi finishes quietly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de oturup kendi paramızın peşine düştük.</d>\n\nEnd on the three women in the same close composition, with elderly Selvi preparing to explain the social assistance and public-resource controversies that came next.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clean intimate dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nSubtle cinematic dramatic underscore. Very restrained low-frequency tension underneath elderly Selvi's explanation. Music briefly rises during the question \"Peki parayı kim götürüyordu?\" and falls back under the final line.",
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       "file": "cglide/selvi-sade.jpg"
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    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that the economic confusion continued through social assistance programs, financial markets and cryptocurrency. She recalls how people questioned where assistance money ultimately went, while ordinary citizens were trying to survive rising costs. She then describes how many people lost savings in the stock market and Bitcoin, with some treating these markets almost like gambling. Zekiye and young Selvi listen with increasing disbelief.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for close composition and camera distance.\nUse @image4 for the living-room environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo wardrobe change.\nNatural facial expressions and realistic Turkish acting.\nElderly Selvi speaks from her remembered experience and describes public debates and controversies from that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same positions on the sofa. Elderly Selvi takes a short breath and continues. Zekiye and young Selvi are completely focused on her.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de sosyal yardımlar vardı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow push-in toward the three women. Elderly Selvi speaks calmly, using a small natural hand gesture.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar yardım paralarının gerçekten ihtiyaç sahibine ulaşıp ulaşmadığını sorguluyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks at elderly Selvi with concern. Zekiye remains silent and attentive.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sonra herkes borsayı konuşmaya başladı, Bitcoin'i konuşmaya başladı.</d>\n\n[Shot 4] At 00:10.500, elderly Selvi slightly shakes her head with a tired, knowing expression.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanların yıllarca biriktirdiği para bir anda eriyebiliyordu.</d>\n\n[Shot 5] At 00:13.000, young Selvi reacts with disbelief and looks toward Zekiye. Elderly Selvi gives a small ironic smile.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] İnsanlar buna nasıl dayanıyordu?</d>\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazıları yatırım dedi, bazıları kumar dedi.</d>\n\nThe three women remain silent for a brief moment. Elderly Selvi looks toward them as if there is an even more disturbing part of the story still to come.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clear intimate Turkish dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore with a restrained tense pulse. Music remains low under the dialogue. A slight tonal shift occurs when elderly Selvi mentions savings disappearing. End with a quiet unresolved note leading directly into the next scene.",
    "slots": {
     "first": {},
     "last": {},
     "images": [
      {
       "file": "cglide/ev-üçü (1).png"
      },
      {
       "file": "cglide/zekiye-sade.jpg"
      },
      {
       "file": "cglide/selvi-sade.jpg"
      },
      {
       "file": "cglide/lüks-ev.png"
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      {
       "file": "cglide/yaşlı selvi.png"
      },
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     "videos": [
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    "cont": {}
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  },
  {
   "id": "nuj66vl",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that some people and lawmakers did try to prevent questionable financial practices, but public arguments continued over laws and regulations that affected ordinary citizens. She recalls the frustration of watching people debate whether money should remain with citizens while new rules kept changing the situation. The tone is serious but natural, with subtle irony.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together.\nUse @image1 for the close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo new characters.\nNo location change.\nNo wardrobe changes.\nNatural Turkish acting.\nElderly Selvi describes what she remembers and how people perceived the events; do not portray disputed claims as independently verified facts.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same close sofa composition. Elderly Selvi looks thoughtful for a moment before continuing. Zekiye and young Selvi listen silently.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Tabii buna engel olmaya çalışanlar da vardı.</d>\n\n[Shot 2] At 00:04.000, the camera makes a slow subtle push toward elderly Selvi while keeping Zekiye and young Selvi visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı insanlar, bazı kanun koyucular gerçekten buna karşı çıkıyordu.</d>\n\n[Shot 3] At 00:07.500, elderly Selvi slightly raises one hand while explaining, then lowers it naturally.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama sonra öyle kanunlar, öyle düzenlemeler tartışıldı ki...</d>\n\n[Shot 4] At 00:10.500, young Selvi leans slightly forward, listening carefully. Elderly Selvi looks between both younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar paranın vatandaşa kalmasını beklerken, yine neyin nasıl değiştiğini anlamaya çalışıyorduk.</d>\n\n[Shot 5] At 00:13.000, Zekiye gives a skeptical expression. Elderly Selvi gives a tired half-smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En kötüsü de... herkes bunun farkındaydı.</d>\n\nA brief silence follows. Young Selvi looks at Zekiye, then back at elderly Selvi.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clear intimate Turkish dialogue. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Low restrained tension underneath the dialogue. Music briefly rises during “öyle kanunlar, öyle düzenlemeler” and then falls back into silence at the final sentence. End with a quiet unresolved tone leading into the next scene.",
    "slots": {
     "first": {},
     "last": {},
     "images": [
      {
       "file": "cglide/ev-üçü (1).png"
      },
      {
       "file": "cglide/zekiye-sade.jpg"
      },
      {
       "file": "cglide/selvi-sade.jpg"
      },
      {
       "file": "cglide/lüks-ev.png"
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       "file": "cglide/yaşlı selvi.png"
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  {
   "id": "1ll6ctu",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi shifts the conversation from money and laws to children and schools. She explains that the consequences eventually reached children's everyday lives. She remembers parents becoming angry about restrictions placed on children, school rules and even small amounts of money children carried. Zekiye and young Selvi are increasingly disturbed by what they are hearing.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nAll three women remain seated closely together on the same sofa.\nUse @image1 for the close composition.\nUse @image4 for the living-room environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo wardrobe changes.\nNatural restrained acting.\nElderly Selvi is recalling her experience and the public debates of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. Elderly Selvi becomes quieter for a moment. Her expression changes from financial frustration to concern. Zekiye and young Selvi notice the change and look at her attentively.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama sonra mesele sadece para olmaktan çıktı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer to the three women. Elderly Selvi looks directly at young Selvi.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İş çocuklara kadar geldi.</d>\n\n[Shot 3] At 00:07.500, young Selvi's expression becomes concerned. Elderly Selvi continues calmly but seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Çocukların cebindeki üç beş kuruşu bile konuşur hale geldik.</d>\n\n[Shot 4] At 00:10.500, Zekiye slightly leans forward, visibly surprised.\n\nZEKİYE (S1):\n<d>[Turkish] Çocukların parasına bile mi?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks at Zekiye and slowly nods.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Evet... Okul kantinlerinden tut, çocukların okuldan dışarı çıkmasına kadar.</d>\n\n[Shot 6] At 00:14.000, young Selvi looks at elderly Selvi in disbelief. Elderly Selvi holds her gaze as the scene ends.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bazı çocukları koruyamadılar... ama dışarı çıkmalarına engel olmayı iyi bildiler.</d>\n\nEnd on the three women in silence, with Zekiye and young Selvi visibly unsettled by what they have just heard.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds through the windows, subtle room tone, natural breathing, soft sofa and clothing movement. Dialogue remains intimate, realistic and clearly separated between the three voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Music becomes slightly darker when elderly Selvi says “İş çocuklara kadar geldi.” A restrained low note follows Zekiye's reaction. Music fades almost completely under the final sentence and ends unresolved.",
    "slots": {
     "first": {},
     "last": {},
     "images": [
      {
       "file": "cglide/ev-üçü (1).png"
      },
      {
       "file": "cglide/zekiye-sade.jpg"
      },
      {
       "file": "cglide/selvi-sade.jpg"
      },
      {
       "file": "cglide/lüks-ev.png"
      },
      {
       "file": "cglide/yaşlı selvi.png"
      },
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   }
  },
  {
   "id": "rx3ppt3",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing. Zekiye wears modest everyday clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest everyday clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains that the strange security mentality of that period was another thing people could not understand. She recalls situations where security systems seemed unable to deal effectively with actual wrongdoing while ordinary people and victims could feel restricted. Zekiye and young Selvi react with disbelief.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nAll three women remain seated closely together on the same sofa.\nUse @image1 for the intimate close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities and modest clothing.\nNo additional characters appear.\nDo not visually recreate a crime or security incident; the scene remains focused on the three women listening.\nNatural facial expressions.\nNo exaggerated comedy acting.\nElderly Selvi is describing her memories and perception of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated together. There is a brief silence after elderly Selvi's previous statement. Zekiye looks troubled. Young Selvi watches elderly Selvi carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de güvenlik meselesi vardı.</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes toward elderly Selvi while keeping Zekiye and young Selvi visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En çok ona şaşırıyorduk.</d>\n\n[Shot 3] At 00:07.000, elderly Selvi makes a small frustrated gesture with her hand.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Suçluya müdahale edemeyen sistem, bazen mazlumun önüne set oluyordu.</d>\n\n[Shot 4] At 00:10.500, Zekiye turns slightly toward elderly Selvi, visibly confused.\n\nZEKİYE (S1):\n<d>[Turkish] Nasıl yani?</d>\n\n[Shot 5] At 00:12.000, elderly Selvi looks directly at Zekiye. Young Selvi also turns toward her.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsan bazen suçludan çok, kendisini korumaya çalışırken engellerle uğraşıyordu.</d>\n\n[Shot 6] At 00:14.000, young Selvi gives a disbelieving expression. Elderly Selvi remains calm and serious.\n\nThe camera holds on all three women for the final moment.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle room tone, natural breathing and soft clothing movement. Dialogue remains clean and intimate. No police sirens, no crime sounds and no additional voices.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic underscore. Slight tension builds during elderly Selvi's explanation. Music drops almost completely during Zekiye's “Nasıl yani?” and returns with a quiet unresolved tone at the end.",
    "slots": {
     "first": {},
     "last": {},
     "images": [
      {
       "file": "cglide/ev-üçü (1).png"
      },
      {
       "file": "cglide/zekiye-sade.jpg"
      },
      {
       "file": "cglide/selvi-sade.jpg"
      },
      {
       "file": "cglide/lüks-ev.png"
      },
      {
       "file": "cglide/yaşlı selvi.png"
      },
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      {},
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   }
  },
  {
   "id": "8uk2d7t",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains the terrorism and political controversies she remembers. In her recollection, ordinary Turkish citizens were overwhelmingly opposed to controversial decisions involving terrorism and its leaders, yet those decisions were still made despite strong public opposition. She describes the frustration of watching the public clearly express its objection while authorities continued in the opposite direction.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for the intimate close composition.\nUse @image4 for the luxury living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo visual depiction of terrorism, weapons or violence.\nKeep the entire scene focused on the three women and their conversation.\nNatural restrained acting.\nElderly Selvi is describing her own recollection and the public reaction of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together. Elderly Selvi looks down for a moment, then raises her eyes toward Zekiye and young Selvi. Her expression is serious and disappointed.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de terör meselesi vardı...</d>\n\n[Shot 2] At 00:04.000, the camera slowly pushes closer while keeping all three women visible.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halkın büyük kısmı yapılanlara açık açık karşı çıkıyordu.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks at elderly Selvi with disbelief. Elderly Selvi continues calmly.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] İnsanlar sokakta, televizyonda, her yerde tepkisini gösteriyordu.</d>\n\n[Shot 4] At 00:10.000, Zekiye leans slightly forward, listening carefully.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama buna rağmen bazı kararlar yine alındı.</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks directly at both younger women.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] En çok da buna şaşırıyorduk... Halk istemediğini açıkça söylüyor, yine de yapılıyordu.</d>\n\n[Shot 6] At 00:14.000, Zekiye and young Selvi exchange a silent look. Elderly Selvi remains calm and serious.\n\nEnd on the three women in the same close composition.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing and soft clothing movement. No crowd sounds, no violence sounds and no additional voices. Clean intimate Turkish dialogue.\n\nnon_diegetic_music:\n\nVery restrained cinematic dramatic underscore. A low sustained tone gradually builds as elderly Selvi describes the public opposition. Music drops almost completely during the final sentence, leaving the uncomfortable silence between the three women.",
    "slots": {
     "first": {},
     "last": {},
     "images": [
      {
       "file": "cglide/ev-üçü (1).png"
      },
      {
       "file": "cglide/zekiye-sade.jpg"
      },
      {
       "file": "cglide/selvi-sade.jpg"
      },
      {
       "file": "cglide/lüks-ev.png"
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       "file": "cglide/yaşlı selvi.png"
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  {
   "id": "j95p5u2",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged version of young Selvi.\n\nsummary:\n\nDirect continuation from the previous scene. Elderly Selvi explains another source of frustration from that period: despite widespread public opposition, official explanations often made ordinary citizens feel as though they were being mocked or ignored. People could see what was happening around them, yet were repeatedly given explanations that seemed completely disconnected from what they were experiencing. Zekiye asks what people could actually do.\n\nretention_analysis:\n\nContinue directly from the previous final frame.\nKeep all three women seated closely together on the same sofa.\nUse @image1 for intimate close composition.\nUse @image4 for the living-room environment.\nPreserve exact identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo location change.\nNo visual depiction of political rallies, violence or terrorism.\nEverything remains a conversation between the three women.\nNatural restrained facial expressions.\nElderly Selvi speaks from her recollection of that period.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain in the same positions. Elderly Selvi looks between Zekiye and young Selvi. Her expression shows frustration mixed with disbelief.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Bir de açıklamalar vardı...</d>\n\n[Shot 2] At 00:04.000, the camera makes a very slow push toward the three women. Elderly Selvi gives a small ironic smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Halk ne olduğunu görüyor, sonra çıkıp bambaşka bir şey anlatıyorlardı.</d>\n\n[Shot 3] At 00:07.500, young Selvi looks confused. Elderly Selvi continues with calm disbelief.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de birbirimize bakıp, bizimle dalga mı geçiyorlar diye düşünüyorduk.</d>\n\n[Shot 4] At 00:10.500, Zekiye slightly leans forward. Her expression becomes serious.\n\nZEKİYE (S1):\n<d>[Turkish] Peki siz ne yaptınız?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi looks directly at Zekiye, then briefly at young Selvi.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz mi?</d>\n\nShe gives a tiny, ironic smile.\n\n[Shot 6] At 00:14.000, elderly Selvi settles back into the sofa.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz de her şeyi fark edip, elimizden geldiğince dayanıyorduk.</d>\n\nEnd on Zekiye and young Selvi silently looking at elderly Selvi.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant evening city sounds, subtle room tone, natural breathing, soft clothing and sofa movement. Clean intimate Turkish dialogue. No additional voices or exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle cinematic dramatic-comedy underscore. A faint ironic musical tone appears when elderly Selvi says “Bizimle dalga mı geçiyorlar?” and disappears under Zekiye's question. End with a quiet unresolved note.",
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   "id": "quhnhgt",
   "name": "",
   "state": {
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    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "detailed_description:\n\n[Shot 1]\n\nDirect continuation. The three women remain seated closely together on the sofa. Elderly Selvi has just finished explaining that they were aware of what was happening but could not change everything.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Biz her şeyin farkındaydık Zekiye.</d>\n\n[Shot 2] At 00:04.000, elderly Selvi pauses and gives a tired, ironic smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ama 2040'a geldiğimizde artık her şey bitmiş gibiydi.</d>\n\n[Shot 3] At 00:07.000, Zekiye looks curious.\n\nZEKİYE (S1):\n<d>[Turkish] Eee? Sonra ne oldu?</d>\n\n[Shot 4] At 00:08.500, elderly Selvi suddenly becomes very serious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Sigara yasağı geldi.</d>\n\nYoung Selvi and Zekiye stare at her.\n\n[Shot 5] At 00:10.500, young Selvi looks completely confused.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Sigara mı?</d>\n\nElderly Selvi nods seriously.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Evet. Her şey bitmişti... bir tek o kalmıştı.</d>\n\n[Shot 6] At 00:12.500, elderly Selvi leans slightly forward, speaking with complete seriousness.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Fabrikaların bacaları tütüyor, atıklar ortada... ama sıra sigaraya gelmişti.</d>\n\n[Shot 7] At 00:14.000, elderly Selvi looks suspiciously toward the camera for a brief moment, then back to the girls.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] O zaman ben de hastalığı yayamadıkları konusunda şüphelenmeye başladım.</d>\n\nZekiye and young Selvi stare at her in stunned silence.\n\nCUT TO BLACK.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, subtle breathing and sofa movement. Dialogue remains clear and intimate. No exaggerated sound effects.\n\nnon_diegetic_music:\n\nVery subtle serious cinematic music throughout. When elderly Selvi says \"Sigara yasağı geldi\", the music suddenly stops for comedic silence. After \"bir tek o kalmıştı\", add a very subtle ironic musical accent. End immediately after the final line with a short mysterious-comedic sting.",
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   "id": "8a711l4",
   "name": "",
   "state": {
    "mode": "ref2va",
    "width": 320,
    "height": 480,
    "length": 362,
    "ref_image_size": "match",
    "ref_refine_scale": 1,
    "pace": 2.5,
    "prompt": "subject_definitions:\n\n@image1 = close three-person composition reference. Defines the intimate sofa composition, camera distance and seating arrangement.\n\n@image2 = Zekiye character reference. Preserve exact facial identity, hairstyle, age and modest clothing.\n\n@image3 = young Selvi character reference. Blonde Selvi. Preserve exact facial identity, blonde hairstyle, age and modest clothing.\n\n@image4 = wide luxury living-room environment reference. Preserve the exact luxury interior, floor-to-ceiling windows, city skyline, marble floor, sofa and warm evening atmosphere.\n\n@image5 = elderly Selvi character reference. Naturally aged future version of young Selvi. Preserve exact facial identity, gray-blonde hair, wrinkles, hairstyle and modest clothing.\n\nCHARACTER AND VOICE LOCK:\n\n@image2 = Zekiye = S1.\n@image3 = young Selvi = S2.\n@image5 = elderly Selvi = S3.\n\nS1 speaks only Zekiye.\nS2 speaks only young Selvi.\nS3 speaks only elderly Selvi.\n\nNever swap voices.\nNever swap identities.\nYoung Selvi remains blonde.\nElderly Selvi remains the aged future version of young Selvi.\n\nsummary:\n\nFinal ending of Episode 20. After telling Zekiye and young Selvi about the future, elderly Selvi becomes emotional. She tells young Selvi that she missed her deeply. Before leaving, she quietly warns Zekiye that she will soon meet someone and should be careful about that person. She refuses to explain further. Elderly Selvi then mysteriously leaves the apartment. Zekiye and young Selvi are left staring at each other in confusion. The episode ends with an emotional but mysterious feeling.\n\nretention_analysis:\n\nDirect continuation from the previous scene.\nKeep all three women in the same luxury living room.\nUse @image1 for the close three-person composition.\nUse @image4 for the environment.\nPreserve exact character identities from @image2, @image3 and @image5.\nPreserve modest clothing.\nNo additional characters.\nNo sudden transformation.\nNo teleportation effect.\nElderly Selvi leaves naturally but mysteriously.\nHer warning must remain unexplained.\nThe ending should create curiosity for the next episode.\n\ndetailed_description:\n\n[Shot 1]\n\nDirect continuation from the previous scene. The three women remain seated closely together. The atmosphere has become quieter after elderly Selvi's final warning about the future. Elderly Selvi looks at young Selvi with a soft emotional smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Selvi...</d>\n\nYoung Selvi looks at her.\n\n[Shot 2] At 00:04.000, the camera slowly moves closer to elderly Selvi and young Selvi. Elderly Selvi reaches gently toward young Selvi's hand.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Canım arkadaşım... seni çok özlemişim.</d>\n\nYoung Selvi becomes emotional and confused.\n\nGENÇ SELVİ (S2):\n<d>[Turkish] Ama daha buradayım...</d>\n\nElderly Selvi gives a small emotional smile.\n\n[Shot 3] At 00:08.000, elderly Selvi turns toward Zekiye. Her expression suddenly becomes serious and mysterious.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Zekiye... bu aralar biriyle tanışacaksın.</d>\n\nZekiye looks surprised.\n\n[Shot 4] At 00:10.500, elderly Selvi leans slightly toward Zekiye.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Ona dikkat et.</d>\n\nZekiye immediately becomes curious.\n\nZEKİYE (S1):\n<d>[Turkish] Kim?</d>\n\n[Shot 5] At 00:12.500, elderly Selvi stands up slowly. She gives Zekiye a mysterious smile and does not answer the question.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Zamanı gelince anlarsın.</d>\n\nShe looks at young Selvi one final time.\n\n[Shot 6] At 00:14.000, elderly Selvi walks calmly toward the exit. The camera remains with Zekiye and young Selvi in the foreground. Just before leaving the frame, elderly Selvi turns back and gives them one final warm smile.\n\nYAŞLI SELVİ (S3):\n<d>[Turkish] Hoşça kalın kızlar.</d>\n\nShe exits.\n\nThe door slowly closes.\n\nZekiye and young Selvi stare at the closed door in complete silence.\n\nCUT TO BLACK.\n\noverall_soundscape:\n\nQuiet luxury apartment ambience, distant city sounds, soft footsteps, subtle clothing movement and natural breathing. Elderly Selvi's footsteps become slightly quieter as she walks toward the exit. The door closes softly. After the door closes, leave a brief moment of complete silence.\n\nnon_diegetic_music:\n\nBegin with a warm emotional cinematic piano motif when elderly Selvi says \"seni çok özlemişim\". Gradually introduce a subtle mysterious low-frequency texture when she warns Zekiye. Music stops completely when Zekiye asks \"Kim?\". After elderly Selvi says \"Zamanı gelince anlarsın\", play one short mysterious cinematic note. Let the final door closing happen almost silently. CUT TO BLACK.",
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       "file": "cglide/selvi-sade.jpg"
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